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A nude woman and child with proportional markings, seen from the front. Etching by J. García Hidalgo, ca. 1691.

Two skeletons and one half-skeleton, half-female figure, with contours of the overlying body. Etching by J. García Hidalgo, ca. 1691.

Saint Mary (the Blessed Virgin) as the Virgin of Carmel, with the Christ Child. Etching by J. Garcia Hidalgo, 1684.

Four male écorchés or partially flayed figures; the first and the third have proportional markings. Etching by J. García Hidalgo, ca. 1691.

A smith makes holes in a sheet of metal on an anvil, other tools lie nearby. Etching by José Garcia Hidalgo.

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A nude woman and child with proportional markings, seen from the front. Etching by J. García Hidalgo, ca. 1691.

Two skeletons and one half-skeleton, half-female figure, with contours of the overlying body. Etching by J. García Hidalgo, ca. 1691.

Saint Mary (the Blessed Virgin) as the Virgin of Carmel, with the Christ Child. Etching by J. Garcia Hidalgo, 1684.

Four male écorchés or partially flayed figures; the first and the third have proportional markings. Etching by J. García Hidalgo, ca. 1691.

A smith makes holes in a sheet of metal on an anvil, other tools lie nearby. Etching by José Garcia Hidalgo.

Wellcome uses cookies.

Works search

Active filters:

A nude woman and child with proportional markings, seen from the front. Etching by J. García Hidalgo, ca. 1691.

Two skeletons and one half-skeleton, half-female figure, with contours of the overlying body. Etching by J. García Hidalgo, ca. 1691.

Saint Mary (the Blessed Virgin) as the Virgin of Carmel, with the Christ Child. Etching by J. Garcia Hidalgo, 1684.

Four male écorchés or partially flayed figures; the first and the third have proportional markings. Etching by J. García Hidalgo, ca. 1691.

A smith makes holes in a sheet of metal on an anvil, other tools lie nearby. Etching by José Garcia Hidalgo.