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John Wesley. Stipple engraving, 1825, after J. Barry.
Barry, James, 1741-1806.Date: 1825Reference: 9631i
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Minerva, as goddess of the arts, shaking hands with Italia; behind them Mercury, the messenger god. Engraving by F. Bartolozzi, 1789, after Burney.
Date: 31 Jan[uar]y 1789Reference: 39070i
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Martyrdom of Saint Sebastian. Etching by A.M. (?) after J. Barry.
Barry, James, 1741-1806.Reference: 7248i
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Birth of Venus [Aphrodite]. Engraving by B. Smith after J. Barry.
Barry, James, 1741-1806.Reference: 11271i
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John Wolcot [Peter Pindar]. Stipple engraving, 1794, after J. Barry.
Barry, James, 1741-1806.Reference: 9741i
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Edward Barry. Stipple engraving by A. Fogg, 1805, after J. Barry.
Barry, James, 1741-1806.Date: 1805Reference: 808i
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An archangel revealing the physical nature of the universe to a group of natural philosophers and mathematicians. Etching by James Barry, 1795, after his painting.
Barry, James, 1741-1806.Date: 1 May 1795Reference: 11970i
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A letter to the Dilettanti Society, respecting the obtention of certain matters essentially necessary for the improvement of public taste, and for accomplishing the original views of the Royal Academy of Great Britain. By James Barry, Esq. R.A. Professor of painting to the Royal Academy.
Barry, James, 1741-1806.Date: M.DCC.XCVIII. [1798]
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A letter to the Right Honourable the President, vice-presidents, and the rest of the noblemen and gentlemen, of the Society for the Encouragement of Arts, Manufactures, and Commerce, John-Street, Adelphi. By James Barry, R.A. Professor of Painting to the Royal Academy.
Barry, James, 1741-1806.Date: 1793
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A letter to the Dilettanti Society, respecting the obtention of certain matters essentially necessary for the improvement of public taste, and for accomplishing the original Views of the Royal Academy of Great-Britain. By James Barry, Esq. R. A. Professor of Painting to the Royal Academy. The second edition. With an appendix, Respecting the Matters lately agitated between the Academy and the Professor of Painting.
Barry, James, 1741-1806.Date: M.DCC.XCIX. [1799]
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A Description of the series of pictures painted by James Barry, Esq. And preserved in the great room of the society instituted at London, for the encouragement of arts, manufactures, and commerce. To this is added, a short account of some other works of art with which the room is ornamented.
Date: 1800
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John Wesley. Stipple engraving after J. Barry.
Barry, James, 1741-1806.Reference: 9632i
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Online
John Wesley. Stipple engraving by J. Posselwhite after J. Fittler after J. Barry.
Barry, James, 1741-1806.Reference: 9633i
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Online
Christopher Nugent. Wash painting by S. Harding, 1806, after J. Barry, 1772.
Barry, James, 1741-1806.Date: 1806Reference: 7481i
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Orpheus instructing primitive people about civilization and the gods. Etching by James Barry, 1791, after his painting.
Barry, James, 1741-1806.Date: 1 May 1791Reference: 677472i
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An account of a series of pictures, in the great room of the Society of Arts, Manufactures, and Commerce, at the Adelphi. By James Barry, R. A. Professor of Painting to the Royal Academy.
Barry, James, 1741-1806.Date: MDCCLXXXIII. [1783][i.e.1784?]
Books
Online
An account of a series of pictures, in the great room of the Society of Arts, Manufactures, and Commerce, at the Adelphi. By James Barry, R. A. Professor of Painting to the Royal Academy.
Barry, James, 1741-1806.Date: MDCCLXXXIII. [1783]
Books
Online
A description of the series of pictures painted by James Barry, Esq. R.A. Professor of painting to the Royal Academy, and preserved in the great room of the Society instituted at London, for the encouragement of arts, manufactures, and commerce. To this is added, a short account of some other works of art, with which the room is ornamented.
Society for the Encouragement of Arts, Manufactures, and Commerce (Great Britain)Date: M.DCC.XCII. [1792]
Pictures
The award of the annual prizes of the Royal Society of Arts. Etching by James Barry, 1791, after his painting.
Barry, James, 1741-1806.Date: 1 May 1791Reference: 677429i
Books
Online
An inquiry into the real and imaginary obstructions to the acquisition of the arts in England. By James Barry, Royal Academician, and Member of the Clementine Academy of Bologns.
Barry, James, 1741-1806.Date: MDCCLXXV. [1775]
Pictures
Online
The Thames as a gateway to foreign trade routes. Etching by J. Barry, 1791.
Barry, James, 1741-1806.Date: May 1 1791Reference: 12117i
Pictures
Online
John Wolcot [Peter Pindar]. Stipple engraving by P. Roberts after J. Barry.
Barry, James, 1741-1806.Date: 1820-1829Reference: 9739i
Pictures
Online
John Wesley. Line engraving by J. Fittler, 1791, after J. Barry.
Barry, James, 1741-1806.Date: 1791Reference: 9630i

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John Wesley. Stipple engraving, 1825, after J. Barry.

Minerva, as goddess of the arts, shaking hands with Italia; behind them Mercury, the messenger god. Engraving by F. Bartolozzi, 1789, after Burney.

Martyrdom of Saint Sebastian. Etching by A.M. (?) after J. Barry.

Birth of Venus [Aphrodite]. Engraving by B. Smith after J. Barry.

John Wolcot [Peter Pindar]. Stipple engraving, 1794, after J. Barry.

Edward Barry. Stipple engraving by A. Fogg, 1805, after J. Barry.

An archangel revealing the physical nature of the universe to a group of natural philosophers and mathematicians. Etching by James Barry, 1795, after his painting.

A letter to the Dilettanti Society, respecting the obtention of certain matters essentially necessary for the improvement of public taste, and for accomplishing the original views of the Royal Academy of Great Britain. By James Barry, Esq. R.A. Professor of painting to the Royal Academy.

A letter to the Right Honourable the President, vice-presidents, and the rest of the noblemen and gentlemen, of the Society for the Encouragement of Arts, Manufactures, and Commerce, John-Street, Adelphi. By James Barry, R.A. Professor of Painting to the Royal Academy.

A Description of the series of pictures painted by James Barry, Esq. And preserved in the great room of the society instituted at London, for the encouragement of arts, manufactures, and commerce. To this is added, a short account of some other works of art with which the room is ornamented.

John Wesley. Stipple engraving after J. Barry.

John Wesley. Stipple engraving by J. Posselwhite after J. Fittler after J. Barry.

Christopher Nugent. Wash painting by S. Harding, 1806, after J. Barry, 1772.

Orpheus instructing primitive people about civilization and the gods. Etching by James Barry, 1791, after his painting.

An account of a series of pictures, in the great room of the Society of Arts, Manufactures, and Commerce, at the Adelphi. By James Barry, R. A. Professor of Painting to the Royal Academy.

An account of a series of pictures, in the great room of the Society of Arts, Manufactures, and Commerce, at the Adelphi. By James Barry, R. A. Professor of Painting to the Royal Academy.

The award of the annual prizes of the Royal Society of Arts. Etching by James Barry, 1791, after his painting.

An inquiry into the real and imaginary obstructions to the acquisition of the arts in England. By James Barry, Royal Academician, and Member of the Clementine Academy of Bologns.

The Thames as a gateway to foreign trade routes. Etching by J. Barry, 1791.

John Wolcot [Peter Pindar]. Stipple engraving by P. Roberts after J. Barry.

John Wesley. Line engraving by J. Fittler, 1791, after J. Barry.

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Active filters:

John Wesley. Stipple engraving, 1825, after J. Barry.

Minerva, as goddess of the arts, shaking hands with Italia; behind them Mercury, the messenger god. Engraving by F. Bartolozzi, 1789, after Burney.

Martyrdom of Saint Sebastian. Etching by A.M. (?) after J. Barry.

Birth of Venus [Aphrodite]. Engraving by B. Smith after J. Barry.

John Wolcot [Peter Pindar]. Stipple engraving, 1794, after J. Barry.

Edward Barry. Stipple engraving by A. Fogg, 1805, after J. Barry.

An archangel revealing the physical nature of the universe to a group of natural philosophers and mathematicians. Etching by James Barry, 1795, after his painting.

A letter to the Dilettanti Society, respecting the obtention of certain matters essentially necessary for the improvement of public taste, and for accomplishing the original views of the Royal Academy of Great Britain. By James Barry, Esq. R.A. Professor of painting to the Royal Academy.

A letter to the Right Honourable the President, vice-presidents, and the rest of the noblemen and gentlemen, of the Society for the Encouragement of Arts, Manufactures, and Commerce, John-Street, Adelphi. By James Barry, R.A. Professor of Painting to the Royal Academy.

A Description of the series of pictures painted by James Barry, Esq. And preserved in the great room of the society instituted at London, for the encouragement of arts, manufactures, and commerce. To this is added, a short account of some other works of art with which the room is ornamented.

John Wesley. Stipple engraving after J. Barry.

John Wesley. Stipple engraving by J. Posselwhite after J. Fittler after J. Barry.

Christopher Nugent. Wash painting by S. Harding, 1806, after J. Barry, 1772.

Orpheus instructing primitive people about civilization and the gods. Etching by James Barry, 1791, after his painting.

An account of a series of pictures, in the great room of the Society of Arts, Manufactures, and Commerce, at the Adelphi. By James Barry, R. A. Professor of Painting to the Royal Academy.

An account of a series of pictures, in the great room of the Society of Arts, Manufactures, and Commerce, at the Adelphi. By James Barry, R. A. Professor of Painting to the Royal Academy.

The award of the annual prizes of the Royal Society of Arts. Etching by James Barry, 1791, after his painting.

An inquiry into the real and imaginary obstructions to the acquisition of the arts in England. By James Barry, Royal Academician, and Member of the Clementine Academy of Bologns.

The Thames as a gateway to foreign trade routes. Etching by J. Barry, 1791.

John Wolcot [Peter Pindar]. Stipple engraving by P. Roberts after J. Barry.

John Wesley. Line engraving by J. Fittler, 1791, after J. Barry.