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209 results
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Why the 1918 Spanish flu defied both memory and imagination

| Mark Honigsbaum

The Black Death, AIDS and Ebola outbreaks are part of our collective cultural memory, but the Spanish flu outbreak has not been.

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Digitising Audrey

| Elena CarterThomas S G Farnetti

Building digital images of what Audrey created means that her work can be frozen in time – for the digital version, at least, the process of decay is halted, and any number of people can view it without the risk of damaging it.

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The Key to Memory: Use art to articulate

Danny Rees explains what William Utermohlen’s self-portraits can tell us about how and why we remember.

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The Key to Memory: Mark it out

Sarah Bentley explores what a papier-mâché figure from Japan can tell us about how and why we remember.

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Milk trails round Euston

| Esther LesliePeople’s MuseumBenjamin Gilbert

Where cows once grazed near Wellcome Collection in London, baristas now froth their milk. Esther Leslie uncovers Euston’s dairy-based urban history.

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Finding consolation in social isolation

| Tanya PerdikouNaomi Vona

Feeling isolated and anxious during the lockdowns of the last year, Tanya Perdikou found solace in reconnecting to her past and reaching out to neighbours in the present.

  • Photo story
  • Photo story

My body, my hair

| Farah EssetEden Rickson

To depilate or not to depilate? Farah Esset and Eden Rickson share a collection of personal pictures and stories that explore the intimate interplay between body hair and identity.

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A nose through Blythe House

| Laura HumphreysKevin Percival

Recently sold and emptied out, Blythe House was once one of the UK’s biggest museum storage facilities. Here, museum worker Laura Humphreys reflects on her relationship with the store’s architecture, objects and aromas.

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Audrey and her family

| Elena Carter

In working on Audrey Amiss’s archive, Elena is getting closer to understanding her. But the way her niece and nephew remember Audrey adds essential detail to the picture.

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Audrey in the world

| Elena Carter

As the collection is fully catalogued, the archive is opened up to the public. A feature film about Audrey premieres, and Audrey gets her own Wikipedia page, so people can learn about her. For archivist Elena, it’s time to step back.

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Picturing mental health

| Lalita KaplishSolomon Szekir-Papasavva

Ron Hampshire created artworks while resident at Netherne psychiatric hospital. What can we learn from them?

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Homes for the hives of industry

| Emily Sargent

By building workers’ villages, industry titans demonstrated both philanthropy and control. Employees’ health improved, while rulebooks told them how to live ideal lives.

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Conserving Audrey

| Elena Carter

Elena describes how specially designed storage allows Audrey’s scrapbooks to retain all traces of her creative process, although their intrinsic fragility means deterioration is almost inevitable.

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How do advertisers get inside our heads?

| Charlie WilliamsSarah MarksDaniel Pick

Vance Packard exposed techniques of mass manipulation developed by 1950s advertisers that are still at work today in the age of big data.

  • Photo story
  • Photo story

The spectacle maker

| Clare DowdyCarmel King

Born into the eyewear business 80 years ago, Lawrence Jenkin still designs and makes glasses, while supporting and inspiring the generations of designers following him.

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The art of scientific glassblowing

| Helen BabbsThomas S G Farnetti

Exciting things happen when art, craft, engineering and science collide. Glassblower Gayle Price is proof of that.

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Cataloguing Audrey

| Elena Carter

Work begins in earnest to restore order to the archive Audrey Amiss kept of the minutest happenings in her life. Like detectives, the archivists search for subtle clues to chronology in the mass of materials.

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Illuminated manuscripts, illuminating medicines

| Cheryl Porter

From rare bugs to exorbitantly priced plant parts, find out more about the artistic and medical uses of pigments from the past.

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Pain and the power of touch

| Fiona MurphyCamilla Greenwell

As a new physiotherapist, Fiona Murphy quickly learned that her patients’ pain was unpredictable and very personal. But using the right words became the key to helping them.

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Found items

| Paul HornThomas S G Farnetti

Books leave their traces in our minds, but we leave traces of ourselves in books too, as these fascinating items found inside old works show.

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Performance art, frozen in time

| Elissavet NtouliaKathleen Arundell

For over a year, live performance art with an audience present has been largely impossible. But still images continue to allow artists in this sphere to inspire audiences at home.

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The island of unclaimed bodies

| Allison C MeierAaron Asis

In New York, those who live and die on the extreme edges of society are buried on an isolated island, often forgotten and unmourned. But recent legal changes aim to reduce stigma and restore their dignity.

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The freedom to provoke

| Jamie HaleStephen Allwright

Jamie Hale talks to performer and director Emma Selwyn about the joy of creating work that celebrates, rather than suppresses, autistic behaviours.

  • Book extract
  • Book extract

The psychology of Ouija

| Matthew L TompkinsBenjamin Gilbert

Explore the science behind table tilting and Ouija boards, and discover how the unscrupulous still make money from exploiting the ‘ideomotor’ effect.

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Documents of my breath

| Swati Joshi

Swati Joshi’s childhood bronchitis meant that she couldn’t imagine being able to breathe easily. As an adult, she chronicles her recovery through artworks created using bubbles and her breath.