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12 results filtered with: Symbolism
  • Four female torsos joined at the waist with garden features as heads; symbolising the four seasons in a garden. Etching by T. B., c. 1797.
  • A crowned woman in red holding a rose-topped caduceus; she is suspended in a circle of water; a cherub blows wind from above; representing a stage in the process of alchemy. Coloured etching, ca. 18th century.
  • World War One: a German soldier crouches in fear between two saintly mediaeval sculptures; behind Notre Dame is burning. Halftone after a pen drawing by L. Raemaekers.
  • A prince, clad in gold, succeeds the King; representing a stage in the alchemical process. Watercolour painting by E.A. Ibbs.
  • Demonology and devil-lore / Moncure D. Conway.
  • A lone, wounded, French soldier greets a skeletal death figure with the words "I am ready". Lithograph, c. 1815, by N.-T. Charlet after himself.
  • A queen in red is presented with dishes of blood on a hill; below, a man in a white robe gesticulates to the heavens; while another man stands next to alchemical apparatus, facing a man who is lying sick in bed; representing a stage in the process of alchemy. Coloured etching, ca. 18th century.
  • Two peasants hold a red robe; cherubs blow wind and Mercury rests on water below; representing a stage in the process of alchemy. Coloured etching, ca. 18th century.
  • A human body is consumed by a furnace; a woman holds a small red limbless effigy bearing a crown; a man holds a sheaf, and another a stick; below, by another furnace, a green and red dragon face each other, poised for combat; representing a stage in the process of alchemy. Coloured etching, ca. 18th century.
  • Demonology and devil-lore / Moncure D. Conway.
  • A red-faced king stands in a red robe, flanked by a queen and the deity Mercury in green clothes; representing a stage in the process of alchemy. Coloured etching, ca. 18th century.
  • Three doves with a dovecote and church in the distance, all surrounded by bay tree branches entwined in an ornate border. Engraving by H. Terasson after F. Barlow.