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  • Two faces expressing veneration and rapture. Etching, c. 1760, after C. Le Brun.
  • Head of Joseph, husband of the Virgin Mary. Drawing, c. 1791, after Raphael.
  • Admiral Hyde: portrait. Drawing, c. 1794.
  • Four designs of upper parts of faces, expressing different characters. Drawing, c. 1793.
  • Plate XXI. Dissection of the pterygoid region.
  • A face expressing hatred or jealousy. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Head of an old man with a bandage laced through his hollow eye-sockets. Engraving by B. Bossi, 1776.
  • A part happy, part sad face split in two by jagged wooden planks with Japanese lettering; a Japanese AIDS prevention advertisement. Colour lithograph, ca. 1996.
  • An écorché face showing the muscles involved in the expression of terror. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Two outlines of faces expressing joy (left) and the movement of the face in sadness (right). Etching by B. Picart, 1713, after C. Le Brun.
  • The face of a young man in a state of attention. Engraving by M. Engelbrecht, 1732, after C. Le Brun.
  • Four physiognomies expressing the propensity to command. Drawing, c. 1792.
  • Outlines of twelve faces in profile. Drawing, c. 1789.
  • Four heads of birds: a swan, a polyphemus, a wild duck and a pelican. Drawing, c. 1789.
  • A woman whose physiognomy expresses (according to Lavater) weakness, affectation and languor. Engraving by Barlow, 19th century, after J.M. Schmutzer.
  • Faces expressing the passions and showing the muscles relation to expression, with an explanation of the art of 'pathognomy', the reading of facial expression. Etching, c. 1800.
  • The death mask of Charles Talleyrand, the French statesman. Lithograph, c. 1860, after M. Krantz.
  • A face expressing ardent attention. Drawing, c. 1794.
  • Raphael: portrait. Drawing, c. 1791.
  • Christ talking to two men who, according to Lavater, show physiognomic traits of 'sensuality'. Drawing, c. 1789, after H. Holbein.
  • Head of a stag. Drawing, c. 1789.
  • Four faces expressing (clockwise from top left): admiration mixed with astonishment, admiration, veneration, and ecstasy. Etching by A.-J. Defehrt after C. Le Brun.
  • Saint Cecilia, a bishop, Saint John and Saint Paul. Drawing, c. 1794, after Raphael.
  • Head of a man with hair raised, expressing despair. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Charles de Valois, Duke of Angoulême. Drawing, c. 1793, after J. Morin.
  • A profile of a man interpreted by Lavater to be indolent, idle, and a drunkard. Drawing, c. 1789.
  • Augustus Caesar: profile. Drawing, c. 1789.
  • The face of a man suffering great pain. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • A Roman soldier throws a javelin over a dead body. Drawing, c. 1793.
  • A bearded man whose face expresses horror. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.