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  • M0006473: "l'Agreement aux Dames", Dieu de Saint-John
  • Two Commedia dell'arte street entertainers using a clyster as part of their performance. Etching by J. Callot.
  • Ethical products of Fletcher, Fletcher & Co. Ltd., prescribable on form E.C.10.
  • A nurse gives a man an enema. Colour line engraving by C.J.D. Eisen after himself, 1762.
  • The clyster is prepared for a glutton. Colour line engraving by J.J. Leveau after himself, 1762.
  • A seething mass of people driven by a multitude of different wills; representing the levelling of life by death. Etching by G.M. Mitelli after himself, 1690.
  • Physicians, representing the Holy League against the Turks, gather around the sick sultan; representing the Peace of Karlowitz. Etching by G.M. Mitelli, ca. 1700.
  • A motley crew surround a dead man who is being administered a late enema. Lithograph by Lemoine, c. 1900.
  • King Louis XIV in bed, having been told that the rumour of King William III's death was untrue, is treated by physicians and surgeons representing different nations. Etching by P. Bouttats., c. 1690.
  • A doctor with a garland of pill boxes, bottles and a clyster pipe; a publican with pipes, different bottles and a punch bowl. Etching after T. Rowlandson.
  • Surrounded by ghoulish apparitions, a manic priest carries an enema towards a wretchedly praying man. Aquatint with etching by F. Goya, c. 1797.
  • A monkey rejects the old style clyster for his new 'clyso-pompe', which he fills with opium and marshmallow. Coloured lithograph.
  • A barber-surgeon attending to a man's forehead. Oil painting.
  • A monkey patient being treated by a monkey surgeon with a clyster, the latest French fashion accessory. Line engraving, c. 1660.
  • A barber-surgeon attending to a man's forehead. Oil painting.
  • A physician examining a bare breasted female patient, an older woman passes him a syringe, a bawdy couple are in the background. Mezzotint by A. de Blois after J. Steen.
  • A gentlemen pays an unexpected call on a lady friend only to discover she is in the middle of having an enema. Line engraving by F. Dequevauviller, 1786, after N. Lafrensen the younger.
  • Nineteen scenes depicting popular disillusionment with doctors and medicine. Coloured wood engraving by Henriot, ca. 1900.
  • Marianne wearing a Phrygian hat is being chased by a doctor holding an enema and a trade-unionist holding a flag. Colour lithograph by M.R., 25 June 1910.
  • A man and woman use a redeveloped clyster for scatological, intoxicating purposes (?). Coloured reproduction of an etching after G. de Cari.
  • Two maids confer on whether to 'refresh' a sick man even further by putting cold water into his enema. Lithograph by Cham, c. 1840.
  • Three women, one of them wielding a syringe approach three apprehensive men. Pen drawing.
  • A scared beautiful young woman standing between two physicians holding clysters illustrating a treatment for constipation. Chromolithograph after G. Droz.
  • A regiment of clyster-wielding apothecaries orchestrated by General George Mouton de Lobau; representing his use of water-cannons in quelling riots. Lithograph by J.C., 1831.
  • Two Commedia dell'arte street entertainers using a clyster as part of their performance. Etching after J. Callot.
  • A fierce battle between the supporters of John Brown (Bruno), in favour of treatment with stimulants, and those of F.J.V. Broussais, in favour of bloodletting. Pen drawing.
  • A physician administering a clyster to an embarrassed woman who hides her self and presents her behind through a window, female friends observe the scene. Photograph after a stone bas-relief in Bruges archaeological museum.
  • A man barricades himself in with a panoply of protections against the cholera epidemic, the latter represented as a hag; representing an overabundance of useless advice concerning protection against cholera. Coloured etching by J.B. Wunder, c. 1832.
  • King Louis XIV receives an enema while sitting on a globe of the earth, thus besmearing it with ordure; around him, chaos reigns; symbolising the events following the Protestant rebellions of 1674 including the flight of the royal family from England in 1689. Engraving by R. de Hooghe, c. 1689.
  • A man barricades himself in with a panoply of protections against the cholera epidemic, the latter represented as a hag; representing an overabundance of useless advice concerning protection against cholera. Coloured etching by J.B. Wunder, c. 1832.