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  • The adoration of the shepherds at the birth of Christ in the presence of John the Baptist and Saint Elizabeth. Engraving after L. Lombard (?).
  • The good Samaritan seeing to a man's wounds while a priest and Levite walk into the distance. Etching by W. Unger after F.G. Bassano the younger.
  • The evolution of a barrel and goose into a donkey into a man wearing tails; representing Darwin's theories. Wood engraving after C. Bennett, 1863.
  • Joseph and Mary arrive in Egypt, fatigued. Etching by F. Zuccarelli, 1730, after G. Manozzi (Giovanni da San Giovanni).
  • An itinerant medicine vendor sitting on a donkey with his boxes of medicines, a monkey sits on his shoulder and a boy in a fool's costume blows a trumpet. Watercolour by M. Calisch.
  • A salesman in Rome with a snake selling amulets as antidotes or prophylactics against snake-bite to a crowd of people. Etching by B. Pinelli, 1821.
  • Mary and Joseph with Jesus through a wide landscape to Egypt. Etching by J. Callot.
  • A group of itinerant actors performing on stage in an attempt to sell medicines to a small group of people. Etching by J.J. de Boissieu, 1772, after K. Dujardin, 1687.
  • Crimean War: new ambulance transport service. Wood engraving.
  • A donkey carrying wood through a snowy landscape; representing January. Etching by G. Perelle, c. 1660.
  • The adoration of the shepherds. Engraving by H. Wierix.
  • The fugitive holy family find rest. Etching by C. Macé after A. Carracci.
  • The adoration of the shepherds at the birth of Christ. Coloured woodcut.
  • A procession of travelling donkeys with saddle-bags and nose-bags. Lithograph after J. Janson, the elder.
  • The holy family, including Anne, mother of Mary, at rest. Lithograph by Francais after G-D-J. Descamps, 1851.
  • The doorway to the Turkish bath, El-Télet, Cairo (?). Lithograph by L.A. Asselineau after A.C.T.E. Prisse d'Avennes.
  • The good Samaritan tending to the wounds of a half-dead man. Line engraving by G.H. Adcock after Dietrici.
  • The shepherds adore the newly-born Christ. Etching by M. Piccioni, 1641, after P. Caliari, il Veronese.
  • Human figures with the heads of birds and donkeys riding on grotesque beasts. Etching by F. Goya, 1796/1798.
  • A sick frog is administered an enema by one of his companions; other frogs, some anthropomorphised, some not, stand by. Etching with drypoint by F-D. Hillemacher after N. Poussin, 1885.
  • A man riding a donkey deludes himself into believing that he is on a splendid horse. Coloured etching by G. Piattoli, c. 1800.
  • A donkey as a physician taking the pulse of a dying man. Aquatint with etching by F. Goya, ca. 1797.
  • The adoration of the shepherds in a darkened barn. Aquatint with etching by D. Vivant-Denon after N. Maes.
  • Bacchus reclines while a satyr fills his bowl and Pan adorns his head with grapes. Etching after J. Ribera.
  • Mary and Joseph ride to Egypt with the infant Jesus. Engraving by H. Wierix..
  • The birth of Christ among ruins. Engraving by J. Sadeler after Polidoro da Caravaggio.
  • Accompanied by angels, the fugitive holy family board a barge to cross a river. Etching by A. Scacciati after P. Testa.
  • Three donkeys resting by a cart. Lithograph with gouache by A. Ducote after T.S. Cooper.
  • A man on a donkey and three drinkers toasting Bacchus: drinking song. Engraving and etching, 17--, after A.Corelli.
  • Two donkeys. Etching by R. Hills.