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Gillray, James, 1756-1815Reset filters
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  • The countries of Europe representing physicians and surgeons trying to regenerate a woman personifying the Dutch republic. Etching attributed to James Gillray, 1796, after David Hess.
  • An operator treating the carbuncled nose of an obese patient with "Perkins's tractors". Coloured aquatint after J. Gillray, 1801.
  • A man and a woman, both wearing enormous hats. Etching by J. Gillray.
  • An operator treating the carbuncled nose of an obese patient with "Perkins's tractors". Coloured aquatint after J. Gillray, 1801.
  • John Montagu, 5th Earl of Sandwich, is following a young woman who is pushing a barrow of carrots through the West End of London. Process print after J. Gillray.
  • A convalescing man happily eating a meal, assisted by his grinning servant. Coloured etching by J. Gillray, 1804, after J. Sneyd.
  • The British military expedition against the Bruges-Ostend canal, 1798: Joseph Jekyll M.P provides two different reports on it by telegraph, using rolled-up newspapers as telescopes. Coloured etching by J. Gillray, 1798.
  • A tooth-drawer extracting a tooth from a patient who is in such pain that he pulls the tooth-drawer's wig off. Coloured etching after J. Gillray (?).
  • A man standing by a fireplace, pulling a peculiar face after taking some medicine. Coloured etching after J. Gillray.
  • Lord North and Fox excreting into a pan bearing the Royal Arms, a little devil is mixing the stench between them; implying the appalling effects of the coalition government. Etching by J. Gillray, 1783.
  • William Pitt the younger as an alchemist using a crown-shaped bellows to blow the flames of a furnace and heat a glass vessel in which the House of Commons is distilled; representing the dissolution of parliament by Pitt. Coloured etching by J. Gillray, 1796.
  • A haggard old woman taking a large file to the corns on her feet. Coloured etching by J. Gillray, 1800, after himself.
  • Lady Charlotte Campbell reclining in a chair in front of a mirror: she is wearing a hat decorated with an enormous feather which she can see as she gazes at her reflection in the glass. Etching by J. Gillray, 1795.
  • An operator treating the carbuncled nose of an obese patient with "Perkins's tractors". Coloured aquatint after J. Gillray, 1801.
  • A grimacing invalid seated before a bowl having received an emetic, another man clasps his head compassionately. Coloured etching after J. Gillray after J. Sneyd.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • A fearful woman (Britannia) is encouraged by three British politicians to resist the invading fleet of France. Coloured etching by J. Gillray after J. Sneyd, 1803.
  • Four women in a room being blown by the north wind: another is leading a man with a cane out of the door. Coloured etching by J. Gillray.
  • Five elderly ladies caricatured as young women performing a sacrifice in a classical tableau. Etching by J. Gillray, 1787.
  • A lecture on pneumatics at the Royal Institution, London. Coloured etching by J. Gillray, 1802.
  • Adam Walker, a natural philosopher, performing scientific experiments. Coloured etching after J. Gillray, 1796.
  • A man fast asleep with his head back and wig dangling. Coloured etching by J. Gillray, 1806.
  • An ill man being bled by a surgeon. Coloured etching after J. Gillray, 1804, after J. Sneyd.
  • Lord Wycombe wearing a waistcoat, breeches and a top hat, carrying a stout cane in his hand. Etching by James Gillray.
  • A swollen and inflamed foot: gout is represented by an attacking demon. Coloured soft-ground etching by J. Gillray, 1799.
  • A butcher threatening a doctor with revenge for poisoning his wife. Etching by J. Kent, 1782, after P.V.
  • The works ... from the original plates, with the addition of many subjects not before collected / [James Gillray].
  • Philip Thicknesse writing at a table, surrounded by demonic apparitions representing aspects of his life. Aquatint by J. Gillray after himself, 1790.
  • Kelsey's shop in St James's London, where fruit, jellies and sweets are served; a man and a boy are enjoying its wares. as another stands by the door. Process print after James Gillray.
  • A man disappearing into a cracked chamber pot which has the legs of woman; implying the illicit relationship between the Duke of Clarence and Mrs. Jordan. Etching by J. Gillray, 1791.