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  • Sunday Times : we now add the official programme of the ceremonies to be observed at the Royal Coronation of King William the Fourth and Queen Adelaide, on Thursday next, Sept. 8.
  • A day in the life of Tsar Alexander I of Russia, in London, 1814. Coloured etching by C. Williams, 1814.
  • A day in the life of Tsar Alexander I of Russia, in London, 1814. Coloured etching by C. Williams, 1814.
  • Interior of the House of Lords during a public inquiry into Queen Caroline in 1820. Stipple engraving by J. G. Murray after J. Stephanoff.
  • A gouty patient having his pulse taken by a doctor; representing George IV's opposition to Catholic emancipation, and Wellington's support of it. Coloured etching by T. Jones, 1829.
  • The death bed of Queen Caroline. Coloured etching, 1827.
  • A day in the life of George, Prince Regent, 1814. Coloured etching by C. Williams, 1814.
  • A day in the life of George, Prince Regent, 1814. Coloured etching by C. Williams, 1814.
  • King George IV and the Marchioness of Conyngham grieve over the body of a dead giraffe, which had been sent to them by Mehmet Ali, Pasha of Egypt. Lithograph attributed to J. Doyle, 1829.
  • A man disappearing into a cracked chamber pot which has the legs of woman; implying the illicit relationship between the Duke of Clarence and Mrs. Jordan. Etching by J. Gillray, 1791.
  • The gouty King George IV relaxing before nine portraits chronicling his past extravagant styles of dress; representing the King's attempt to withdraw from public ridicule. Coloured etching by W. Heath, 1824.
  • The gouty King George IV relaxing before nine portraits chronicling his past extravagant styles of dress; representing the King's attempt to withdraw from public ridicule. Coloured etching by W. Heath, 1824.
  • The death bed of Queen Caroline. Engraving by Cooper after Fussell, 1821.
  • John Bull about to be bled by three doctors; representing Britain's budget manipulated by the cabinet. Coloured etching by J. Phillips?, 1830.
  • A mandarin falls back fainting onto a settee, attended by three ladies and a man all in Chinese dress; representing the King's anguish at the bill (which condemned the Queen's adultery and reduced her rights) being thrown out. Coloured etching, 1820.
  • George, Prince Regent, in uniform holding out a swollen hand which is supported by Wellington; representing the enormous amount of money given to the army compared with the navy. Coloured lithograph, 1816.
  • Conferment of degrees on the Tsar and the King of Prussia at Oxford in 1814. Coloured engraving.
  • The "Ministry of all the Talents", personified by Charles James Fox, promising to convey John Bull towards the promised land, but really to hell. Coloured etching by James Gillray, 1806.
  • The "Ministry of all the Talents", personified by Charles James Fox, promising to convey John Bull towards the promised land, but really to hell. Coloured etching by James Gillray, 1806.
  • The funeral procession of Queen Caroline, consort of King George IV. Aquatint, 1821.
  • Fox running out of the House of Commons in the middle of a debate with William Pitt the younger about the Regency crisis: he is excreting as he runs, which refers to a bout of dysentery he caught on route from Bologna. Etching by J. Gillray, 1788.
  • William Pitt the younger and his ministers as anatomists dissecting the body of the Prince of Wales; representing Pitt's reduction of the powers of the regent. Coloured etching by Thomas Rowlandson, 1788/1789.
  • William Pitt the younger and his ministers as anatomists dissecting the body of the Prince of Wales; representing Pitt's reduction of the powers of the regent. Coloured etching by Thomas Rowlandson, 1788/1789.
  • King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial. Coloured etching by R. Cruikshank, 1820.
  • Wellington and Peel compared with the Siamese twins (above); a rich bishop and a poor parson; and a street vendor of figurines. Etching by W. Heath, 1830.
  • The Prince Regent presenting to political ministers the expected baby of Princess Charlotte and Prince Leopold, who urinates in their faces; representing the burden of taxation required by the Royal family. Coloured etching by G. Cruikshank, 1816.
  • St. Peter's College, Westminster: a Royal procession by night. Lithograph, 1834.
  • Queen Caroline, wife of King George IV, is greeted by people from Marylebone. Etching by Th. Hook, 1820.
  • King George IV with Lady Conyngham inspecting wigs on wig-stands presented by a Frenchman; representing a disagreement in the cabinet with the 'Canning-ites' over the Corn bill. Coloured etching by T. Jones, 1828.
  • Twenty kings and queens of England. Engraving by J.W. Cook, 1825.