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369 results
  • Profile of a man deemed by Lavater to be gentle but mediocre. Drawing, c. 1794.
  • H. Spiegel: portrait. Drawing, c. 1793.
  • Nine ears. Drawing, c. 1793.
  • Twelve ears. Drawing, c. 1793.
  • Admiral Hyde: portrait. Drawing, c. 1794.
  • Four designs of upper parts of faces, expressing different characters. Drawing, c. 1793.
  • Four physiognomies expressing the propensity to command. Drawing, c. 1792.
  • Outlines of twelve faces in profile. Drawing, c. 1789.
  • Four heads of birds: a swan, a polyphemus, a wild duck and a pelican. Drawing, c. 1789.
  • A face expressing ardent attention. Drawing, c. 1794.
  • Head of a stag. Drawing, c. 1789.
  • A profile of a man interpreted by Lavater to be indolent, idle, and a drunkard. Drawing, c. 1789.
  • Augustus Caesar: profile. Drawing, c. 1789.
  • A Roman soldier throws a javelin over a dead body. Drawing, c. 1793.
  • Eight likenesses of Socrates. Two drawings, c. 1789.
  • Profile of a man displaying a choleric temperament. Drawing, c. 1792.
  • A woman in a state of attention without interest. Drawing, c. 1789.
  • Twelve mouths. Drawing, c. 1793.
  • René Descartes: portrait. Drawing, c. 1794.
  • Four heads of boys. Drawing, c. 1793.
  • Eyes expressing extreme emotion, from coldness to rage. Drawing, c. 1794.
  • Oppyck: portrait. Drawing, c. 1794.
  • Eyes which express (according to Lavater) a good but weak and thus possibly suspicious character. Drawing, c. 1794.
  • Sixteen portraits of classical poets and thinkers. Drawing, c. 1789.
  • Head of a lynx and two figures of the head of a beaver. Drawing, c. 1789.
  • Eyes expressing a noble and magnanimous character with an ordered mind, according to Lavater's method of physiognomy. Drawing, c. 1794.
  • Progression of a woman through the ages of fifty to a hundred. Drawing, c. 1794.
  • Grau: portrait. Drawing, c. 1794.
  • Progression of a man through the ages of fifty to a hundred. Drawing, c. 1794.
  • A man whose physiognomy expresses penetration, quickness, and a talent for communication. Drawing, c. 1789.