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181 results
  • A prostitute with her name and charges. Etching by a follower of Wenceslaus Hollar, 180- (?).
  • A prostitute with her name and charges. Etchings by a follower of Wenceslaus Hollar, 180- (?).
  • A prostitute with her name and charges. Etching by a follower of Wenceslaus Hollar, 180- (?).
  • A prostitute with her name and charges. Etching by a follower of Wenceslaus Hollar, 180- (?).
  • A prostitute with her name and charges. Etching by a follower of Wenceslaus Hollar, 180- (?).
  • Phyllis Johnson, a prostitute with her name and price. Etching by a follower of Wenceslaus Hollar, 180- (?).
  • Phyllis Johnson, a prostitute with her name and price. Etching by a follower of Wenceslaus Hollar, 180- (?).
  • A prostitute wearing a short tight skirt steps between a doorway into a corridor raising her arm with her bag and some tissues; advertisement for safe sex by the New Zealand Prostitutes Collective (NZPC). Colour lithograph.
  • A prostitute wearing a mini skirt and sun glasses holding bank notes with one hand on her hip; a woman lying sick in bed with AIDS; a warning about the dangers of unsafe sex and AIDS by Programa Compañeros. Colour lithograph, ca. 1995.
  • Nurse Tremlow (name unconfirmed), a monthly nurse to gentry and royal households, in retirement, with photographs of her employers. Photograph, 19--.
  • Myrtus communis L. Myrtaceae Myrtle Distribution: Europe. Dioscorides (Beck, 2005) recommends the fruit for treating haemoptysis (‘spitting blood’) and cystitis, and, if boiled, he said it made a fine wine. In various forms it was used as a hair dye, for sore eyes, anal and uterine prolapse, dandruff and shingles, all sorts of inflammations, scorpion bites and even sweaty armpits. Our plant has white berries, but he regarded those with black berries (they become black later in the season) as being more effective. Lyte (1576) adds that the juice of the berries kept the hair black and stopped it falling out, and prevented intoxication. He notes that it only flowered in hot summers in England, but it is reliable in flower now, either due to global warming or selection of suitable clones. According to Lyte, it is named after Merlyne, a fair maiden of Athens in ancient Greece, who judged the athletic games. Slain by a disgruntled competitor, the goddess Minerva brought her back as the myrtle tree in perpetual memory. The myrtle tree is also an ancient Jewish symbol for peace and justice. Myrtle wine is still made in Tuscany and now even in China. Photographed in the Medicinal Garden of the Royal College of Physicians, London.
  • Asphodeline lutea Rchb. Yellow asphodel, King's spear, Hastula regia. Hardy rhizomatous perennial. Distribution Mediterranean and Caucasus. It is the flower of the dead, as Homer writes that it carpets an area in the gloomy darkness of the underworld (Hades), in Greek mythology where the souls of the dead are found. However this may be a misinterpretation of the Greek where 'Asphodel' has been read instead of 'ash-filled'. In the etymology of flower names, it is suggested that the yellow 'daffodil' is a corruption of French or Flemish 'de asphodel' (both ex Steve Reece, 2007). An Aristotelian epigram, refers to it growing on tombs: 'On my back I hold mallow and many-rooted asphodel ...' The asphodel was sacred to Persephone, goddess of the underworld, who was seized and wed by Hades, god of the underworld, and taken to his kingdom. Her disappearance brings the winter, and her reappearance each year, the spring. The only reliable source of information about its early medical uses is, probably, Dioscorides although the plant in his De Materia Medica may be A. ramosus or A. albus. He gives its properties as diuretic, induces menses, good for coughs and convulsions, an antidote to snake bite, applied as a poultice for sores of all sorts, and in compounds for eye, ear and tooth pains, and to cure alopecia and vitiligo, but induces diarrhoea and vomiting and is an anti-aphrodisiac. Fuchs (1542), as Ruel’s commentaries (1543) note, makes a big mistake as he has Lilium martagon as his concept of A. luteus. Ruel only illustrates its leaves and roots, calling it Hastula regia (Latin for King’s spear) but Matthiolus's Commentaries (1569 edition) has a reasonable woodcut also as Hastula regia (1569). Dodoen's Cruydeboeck (1556) does not mention or illustrate Asphodelus luteus. L'Escluse's French translation Histoire des Plantes (1557) follows the Cruydeboeck. Dodoen's Latin translation Stirpium Historia Pemptades Sex (1583) adds A. luteus with text and woodcut, with no uses. Henry Lyte's (1578) translation illustrates Asphodelus luteus as Asphodeli tertia species and 'Yellow affodyl' (vide etymology of 'daffodil') and also does not describe any uses for it. Gerard's translation The Herbal (1597 and 1633) continues the muddle and does not give any uses for this plant. Parkinson's comments (1640) on the lack of medicinal properties of asphodels, refer to quite different plants coming from wet areas in Lancashire, Scotland and Norway . He calls them pseudoasphodelus major and minor which he writes are called Asphodelus luteus palustris by Dodoens, and not 'King's Spear' which he illustrates with a good woodcut of A. luteus and calls it Asphodelus luteus minor. Once herbals started to be written in northern Europe, the knowledge of the arid loving, Asphodelus luteus of south east Europe was lost. Photographed in the Medicinal Garden of the Royal College of Physicians, London.
  • Atropa belladonna L. Solanaceae. Deadly nightshade. Dwale. Morella, Solatrum, Hound's berries, Uva lupina, Cucubalus, Solanum lethale. Atropa derives from Atropos the oldest of the three Fates of Greek mythology who cut the thread of Life (her sisters Clotho and Lachesis spun and measured the thread, respectively). belladonna, literally, means 'beautiful lady' and was the Italian name for it. Folklore has it that Italian ladies put drops from the plant or the fruits in their eyes to make themselves doe-eyed, myopic and beautiful. However, this is not supported by the 16th and 17th century literature, where no mention is ever made of dilated pupils (or any of the effects of parasympathetic blockade). Tournefort (1719) says 'The Italians named this plant Belladonna, which in their language signifies a beautiful woman, because the ladies use it much in the composition of their Fucus [rouge or deceit or cosmetic] or face paint.' Parkinson says that the Italian ladies use the distilled juice as a fucus '... peradventure [perhaps] to take away their high colour and make them looke paler.' I think it more likely that they absorbed atropine through their skin and were slightly 'stoned' and disinhibited, which made them beautiful ladies in the eyes of Italian males. Distribution: Europe, North Africa, western Asia. Culpeper (1650) writes: 'Solanum. Nightshade: very cold and dry, binding … dangerous given inwardly … outwardly it helps the shingles, St Antonie's Fire [erysipelas] and other hot inflammation.' Most of the 16th, 17th and 18th century herbals recommend it topically for breast cancers. Poisonous plants were regarded as 'cold' plants as an excess of them caused death and the body became cold. They were regarded as opposing the hot humour which kept us warm and alive. Poultices of Belladonna leaves are still recommended for muscle strain in cyclists, by herbalists. Gerard (1633) writes that it: 'causeth sleep, troubleth the mind, bringeth madnesse if a few of the berries be inwardly taken, but if more be taken they also kill...'. He was also aware that the alkaloids could be absorbed through the skin for he notes that a poultice of the leaves applied to the forehead, induces sleep, and relieves headache. The whole plant contains the anticholinergic alkaloid atropine, which blocks the peripheral actions of acetylcholine in the parasympathetic nervous system. Atropine is a racemic mixture of d- and l- hyoscyamine. Atropine, dropped into the eyes, blocks the acetylcholine receptors of the pupil so it no longer constricts on exposure to bright light - so enabling an ophthalmologist to examine the retina with an ophthalmoscope. Atropine speeds up the heart rate, reduces salivation and sweating, reduces gut motility, inhibits the vertigo of sea sickness, and is used to block the acetylcholine receptors to prevent the effects of organophosphorous and other nerve gas poisons. It is still has important uses in medicine. Atropine poisoning takes three or for days to wear off, and the hallucinations experienced by its use are described as unpleasant. We have to be content with 'madness', 'frenzie' and 'idle and vain imaginations' in the early herbals to describe the hallucinations of atropine and related alkaloids as the word 'hallucination' in the sense of a perception for which there is no external stimulus, was not used in English until 1646 (Sir T. Browne, 1646). It is a restricted herbal medicine which can only be sold in premises which are registered pharmacies and by or under the supervision of a pharmacist (UK Medicines and Healthcare Products Regulatory Agency (MHRA)). Photographed in the Medicinal Garden of the Royal College of Physicians, London.
  • Meegan, a sex worker and her charges. Etching by a follower of Wenceslaus Hollar.
  • Cissy, a sex worker and her charges. Etching by a follower of Wenceslaus Hollar.
  • Elia, a sex worker and her charges. Etching by a follower of Wenceslaus Hollar.
  • Luci, a sex worker and her charges. Etching by a follower of Wenceslaus Hollar.
  • Betsy, a sex worker with her charges. Etching by a follower of Wenceslaus Hollar.
  • Mrs Bennett, cured of skin disease. Oil painting, 1818/1821.
  • Mrs Bennett, cured of skin disease. Oil painting, 1818/1821.
  • Saint Mary Magdalen. Lithograph by F. Hanfstaengl after M.A. Franceschini.
  • A sure guide; or, the best and nearest way to physick and chyrurgery .... Being an anatomical description of the whol [sic] body of man, and its parts, with their respective diseases .... In six books .... / Englished by Nich. Culpeper, Gent. and W.R. doctor of the liberal arts, and of physick [i.e. William Rand].
  • Three London scenes: a man being cajoled by two prostitutes, a young man being accosted by two debt-collectors, and a physician attending a patient. Coloured etching by G. Cruikshank after J. Sheringham, 1821.
  • Portrait, possibly of Lili Elbe.
  • Fatima, the wife of the Kahya at Adrianopolis, rises to greet Lady Mary Wortley Montagu while her two daughters remain seated. Stipple engraving after T. Stothard.
  • A woman beleaguered by four enemies; representing Faith resisting Death, Schism, the World and the Devil. Engraving by Hieronymus Wierix after Maarten de Vos, 156-.
  • A woman beleaguered by four enemies; representing Faith resisting Death, Schism, the World and the Devil. Engraving by Hieronymus Wierix after Maarten de Vos, 156-.
  • Fatima, the wife of the Kahya at Adrianopolis, rises to greet Lady Mary Wortley Montagu while her two daughters remain seated. Stipple engraving by J. Parker after T. Stothard.
  • M0018417: Portrait of Helen Keller (1880-1968) with Mark Twain (1835-1910)
  • Attributes of dPal-Idan Lha-mo (Rematī) in a "rgyan tshogs" banner. Distemper painting by a Tibetan painter.