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  • The death bed of Queen Caroline. Engraving by Cooper after Fussell, 1821.
  • A bare-knuckled boxing match between the Prince of Wales and Napoleon, with their supporters including a black man. Coloured etching by Charles Williams, 1815.
  • The gouty George IV using tongs to pass his discarded wig to Wellington; representing the Duke's appointment to office as First Lord of the Treasury. Coloured etching by W. Heath, 1828.
  • King George IV as Prince of Wales and Prince Frederick Duke of York, as children. Mezzotint by J. Watson after C. Read, ca. 1770.
  • King George IV having his gouty foot massaged by his mistress Marchioness of Hertford while his wife Queen Caroline listens in the doorway. Coloured etching, ca. 1820.
  • The funeral procession of Queen Caroline, consort of King George IV. Aquatint, 1821.
  • The funeral of King George IV. Wood engraving with letterpress, 1830.
  • The funeral of King George IV. Wood engraving with letterpress, 1830.
  • A day in the life of Tsar Alexander I of Russia, in London, 1814. Coloured etching by C. Williams, 1814.
  • A day in the life of Tsar Alexander I of Russia, in London, 1814. Coloured etching by C. Williams, 1814.
  • Conferment of degrees on the Tsar and the King of Prussia at Oxford in 1814. Coloured engraving.
  • The gouty King George IV relaxing before nine portraits chronicling his past extravagant styles of dress; representing the King's attempt to withdraw from public ridicule. Coloured etching by W. Heath, 1824.
  • The gouty King George IV relaxing before nine portraits chronicling his past extravagant styles of dress; representing the King's attempt to withdraw from public ridicule. Coloured etching by W. Heath, 1824.
  • A man and woman dance outside a tavern named after George IV, a man plays a pipe and people sit drinking decorously. Etching by T. Lane (?), 1822, after J. Gillray.
  • Mrs Fitzherbert and George Prince of Wales represented as Adam and Eve standing under the Tree of Knowledge surrounded by the trappings of fashionable pastimes and vices, causing the devil to flee. Etching, 1786.
  • Mrs Fitzherbert and George Prince of Wales represented as Adam and Eve standing under the Tree of Knowledge surrounded by the trappings of fashionable pastimes and vices, causing the devil to flee. Etching, 1786.
  • A day in the life of George, Prince Regent, 1814. Coloured etching by C. Williams, 1814.
  • A day in the life of George, Prince Regent, 1814. Coloured etching by C. Williams, 1814.
  • Queen Caroline, wife of King George IV, is greeted by people from Marylebone. Etching by Th. Hook, 1820.
  • William Pitt the younger and his ministers as anatomists dissecting the body of the Prince of Wales; representing Pitt's reduction of the powers of the regent. Coloured etching by Thomas Rowlandson, 1788/1789.
  • William Pitt the younger and his ministers as anatomists dissecting the body of the Prince of Wales; representing Pitt's reduction of the powers of the regent. Coloured etching by Thomas Rowlandson, 1788/1789.
  • Twenty kings and queens of England. Engraving by J.W. Cook, 1825.
  • King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial. Coloured etching by R. Cruikshank, 1820.
  • The gouty Prince Regent being helped on to his horse by Chinese assistants using an elaborate contraption outside the Chinese pagoda in Kew Gardens. Coloured etching attributed to Charles Williams, 1816.
  • A gouty patient having his pulse taken by a doctor; representing George IV's opposition to Catholic emancipation, and Wellington's support of it. Coloured etching by T. Jones, 1829.
  • King George III and Queen Charlotte, seated at a latrine, receive with agitation news from William Pitt the younger, who tells them that the King of Sweden had been assassinated. Etching by J. Gillray, 1792.
  • The "Ministry of all the Talents", personified by Charles James Fox, promising to convey John Bull towards the promised land, but really to hell. Coloured etching by James Gillray, 1806.
  • The "Ministry of all the Talents", personified by Charles James Fox, promising to convey John Bull towards the promised land, but really to hell. Coloured etching by James Gillray, 1806.
  • Fox running out of the House of Commons in the middle of a debate with William Pitt the younger about the Regency crisis: he is excreting as he runs, which refers to a bout of dysentery he caught on route from Bologna. Etching by J. Gillray, 1788.
  • King George IV and the Marchioness of Conyngham grieve over the body of a dead giraffe, which had been sent to them by Mehmet Ali, Pasha of Egypt. Lithograph attributed to J. Doyle, 1829.