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26 results
  • Sadler's Wells, with the New River running beside. Etching by F. W. Pailthorpe after R. C. Andrews, 1792.
  • Sadler's Wells, with the New River in the foreground. Etching by F. W. Pailthorpe after an engraving of c.1750.
  • Psychologists and psychiatrists. Photograph.
  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by G.T. Stubbs after G. Stubbs, 1800.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by G.T. Stubbs after G. Stubbs, 1800.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by G.T. Stubbs after G. Stubbs, 1800.
  • An écorché face showing the muscles involved in the expression of terror. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the muscles involved in the expression of terror. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the muscles involved in the expression of terror. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • The Dropping Well, Knaresborough, Yorkshire: the waters, three visitors attended by two servants in the foreground, and the ruins of Knaresborough Castle in the background. Engraving by F. Vivares after T. Smith of Derby, 1747.
  • A major discussing medicine with two doctors. Wood engraving after G. Du Maurier.
  • The ghost of Ravia, dressed in white with blood on her dress, appears to her husband Cazem during a storm at night, in front of Gothic ruins, and asks him to avenge her murder. Coloured aquatint, ca. 1810.
  • A lecture at the Hunterian anatomy school, Great Windmill Street, London. Watercolour by R.B. Schnebbelie, 1839.
  • A lecture at the Hunterian anatomy school, Great Windmill Street, London. Watercolour by R.B. Schnebbelie, 1839.
  • A lecture at the Hunterian anatomy school, Great Windmill Street, London. Watercolour by R.B. Schnebbelie, 1839.
  • English hospital in Beira, Mozambique: staff, patients and the Lady Superintendent, Mrs. Goodman. Ink wash and gouache drawing by F. C. Dickinson, 1901, after E. Watts.
  • Constantinople: the Historic Peninsula. Engraving by J. Isac.