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  • The Duke of Wellington as Chancellor of Oxford University, wearing academic robes and carrying a mace, instructs his Tory supporters portrayed as academics in gowns and mortar boards. Lithograph by John Doyle, 1834.
  • Vignettes of Peel's first ministry surrounded by eight figures representing certain professions. Coloured lithograph, 1835.
  • Vignettes of Peel's first ministry surrounded by eight figures representing certain professions. Coloured lithograph, 1835.
  • A gouty patient having his pulse taken by a doctor; representing George IV's opposition to Catholic emancipation, and Wellington's support of it. Coloured etching by T. Jones, 1829.
  • A doctor examining a disgruntled patient, John Bull, who is being reassured by his master. Lithograph by Crichton, 1834.
  • Queen Victoria, seated in an armchair by an open fire, day-dreaming about illustrious men of her reign. Colour lithograph by Tom Merry, 1887.
  • John Bull about to be bled by three doctors; representing Britain's budget manipulated by the cabinet. Coloured etching by J. Phillips?, 1830.
  • A game of cricket with Lord Morpeth and Lord John Russell as the two batsmen. Coloured lithograph by H.B. (John Doyle), 1840.
  • Wellington and Peel compared with the Siamese twins (above); a rich bishop and a poor parson; and a street vendor of figurines. Etching by W. Heath, 1830.
  • An elephant running wild with Lord Auckland in its trunk. Coloured lithograph by H.B. (John Doyle), 1843.
  • Wellington and Peel, in the roles of the body-snatchers Burke and Hare, suffocating John Bull; representing the extinguishing by Wellington and Peel of the constitution of 1688 by Catholic Emancipation. Coloured etching, 1829.
  • A doctor and nurse prescribing new medicines for their patient; representing Britain under a new government. Coloured lithograph by J. Doyle, 1842.
  • Robert Peel as a pugilist attacking night watchmen with the intention of replacing them by the police force. Etching by Paul Pry (W. Heath).
  • A wig-seller dressing a wig on a stand in his shop; the wig-stands bear the heads of Tory politicians. Wood engraving by W.C.W. after R. Seymour.
  • A man being restrained in a chair while a doctor and nurse prepare to give him some medicine; referring to English politicians' feelings towards Daniel O'Connell. Coloured lithograph by J. Doyle, 1833.
  • George, Prince Regent, in uniform holding out a swollen hand which is supported by Wellington; representing the enormous amount of money given to the army compared with the navy. Coloured lithograph, 1816.
  • Wellington and Peel in the roles of the body-snatchers Burke and Hare suffocating Mrs Docherty for sale to Dr. Knox; representing the extinguishing by Wellington and Peel of the Constitution of 1688 by Catholic Emancipation. Coloured etching by W. Heath, 1829.
  • Wellington and Peel in the roles of the body-snatchers Burke and Hare suffocating Mrs Docherty for sale to Dr. Knox; representing the extinguishing by Wellington and Peel of the Constitution of 1688 by Catholic Emancipation. Coloured etching by W. Heath, 1829.
  • Wellington and Peel in the roles of the body-snatchers Burke and Hare suffocating Mrs Docherty for sale to Dr. Knox; representing the extinguishing by Wellington and Peel of the Constitution of 1688 by Catholic Emancipation. Coloured etching after W. Heath, 1829.
  • King George IV with Lady Conyngham inspecting wigs on wig-stands presented by a Frenchman; representing a disagreement in the cabinet with the 'Canning-ites' over the Corn bill. Coloured etching by T. Jones, 1828.
  • A quack and a clown on stage presenting their wares to a hostile audience; referring to various politicians reactions to the replacement of the fixed duty on corn. Coloured lithograph by J. Doyle, 1841.
  • A large man in bed after giving birth to a mouse; referring to the Duke of Buckingham's attempt to introduce his own 'Reform Bill' which excluded disenfranchisement. Coloured lithograph by J.Doyle, 1832.
  • Three despairing women, one of whom looks disapprovingly at three quack medicine vendors concocting a mixture; representing Britain's economic depletion and distress at the hands of her politicians. Etching by W. Heath, 1830.
  • Vignettes of Peel's first ministry. Coloured lithograph, 1835.
  • The First Lord of the Admiralty, Lord Minto, is thrown overboard by Lord Melbourne, Lord Palmerston and Lord Duncannon during a storm. Coloured lithograph by H.B. (John Doyle), 1838.
  • Burdett, Peel, O'Connell and Wellington in the roles of the body-snatchers Burke and Hare, suffocating John Bull with a rope; representing the extinguishing by Wellington and Peel of the constitution of 1688 by Catholic Emancipation. Coloured etching by A. Sharpshooter, 1829.
  • John Bull presented as the Chinese labourer Hoo Loo surrounded by surgeons discussing the removal of his tumor; referring to British political reform. Coloured lithograph by J. Doyle, 1831.