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  • The certainty of the world of spirits. Fully evinced by unquestionable histories of apparitions and witchcrafts, operations, voices, etc. Proving the immortality of souls, the malice and miseries of the devils and the damned, and the blessedness of the justified / Written for the conviction of sadduces & infidels. By Richard Baxter.
  • The certainty of the world of spirits. Fully evinced by unquestionable histories of apparitions and witchcrafts, operations, voices, etc. Proving the immortality of souls, the malice and miseries of the devils and the damned, and the blessedness of the justified / Written for the conviction of sadduces & infidels. By Richard Baxter.
  • The certainty of the world of spirits. Fully evinced by unquestionable histories of apparitions and witchcrafts, operations, voices, etc. Proving the immortality of souls, the malice and miseries of the devils and the damned, and the blessedness of the justified / Written for the conviction of sadduces & infidels. By Richard Baxter.
  • [Sōmatographia anthrōpinē (romanized form)] Or a description of the body of man. With the practise of chirurgery, and the use of three and fifty instruments [by Ambroise Paré]. By artificiall figures representing the members, and fit termes expressing the same. Set forth either to pleasure or to profit those who are addicted to this study / [Alexander Read].
  • [Sōmatographia anthrōpinē (romanized form)] Or a description of the body of man. With the practise of chirurgery, and the use of three and fifty instruments [by Ambroise Paré]. By artificiall figures representing the members, and fit termes expressing the same. Set forth either to pleasure or to profit those who are addicted to this study / [Alexander Read].
  • [Sōmatographia anthrōpinē (romanized form)] Or a description of the body of man. With the practise of chirurgery, and the use of three and fifty instruments [by Ambroise Paré]. By artificiall figures representing the members, and fit termes expressing the same. Set forth either to pleasure or to profit those who are addicted to this study / [Alexander Read].
  • [Sōmatographia anthrōpinē (romanized form)] Or a description of the body of man. With the practise of chirurgery, and the use of three and fifty instruments [by Ambroise Paré]. By artificiall figures representing the members, and fit termes expressing the same. Set forth either to pleasure or to profit those who are addicted to this study / [Alexander Read].
  • The preacher George Whitefield standing on a table and preaching to a crowd of supporters in London while he is insufflated by a devil. Etching, 1763.
  • John Williams, a bookseller stands in the pillory in the Palace Yard, Westminster, surrounded by a cheering crowd. Engraving with ten verses in five columns below, 1765.
  • The resurrected Christ appears with a flag before the apostles; God spreads his hands above. Woodcut.
  • Noah's ark and all its compartments displayed. Etching by J. Mynde.
  • The Israelites afflicted by a plague of serpents; two men worshipping the brazen serpent erected by Moses. Engraving by M. Coxcie, 15--.
  • Elijah restores the widow's son to his mother, who greets him with open arms. Drawing by R.T. Bone, ca. 1811.
  • Noah's clan make their sacrifice and God responds with a rainbow. Colour etching by E. Kirkall after Bishop after P. Caliari, il Veronese.
  • David rests his hand on Goliath's severed head. Lithograph by B-R. Julien, 1845, after G. Reni.
  • Christ resurrected on the day of judgement. Etching after M. de Vos.
  • Mary and Joseph voyage to Egypt with the infant Jesus. Etching by A.-C.-P. de Caylus after A. Carracci.
  • David holds the head of Goliath; soldiers dressed in contemporary uniform stand by. Engraving by N. de Bruyn after himself, 1609.
  • A bird flying over waves of the sea; representing the dove sent by Noah. Watercolour by M. Bishop, 1968.
  • The shepherds attending at the birth of Christ look up at the angel. Stipple engraving by G.S. and J.G. Facius after J. Boydell after J. Reynolds.
  • A bird flying over waves of the sea; representing the dove sent by Noah. Watercolour by M. Bishop, 1968.
  • The adoration of the shepherds at the birth of Christ. Etching by G. Barri, 1667, after Paolo Caliari, il Veronese.
  • Isaac fooled into blessing Jacob with Rebekah present, while Esau hunts venison. Woodcut attributed to C. van Sichem the elder.
  • The flight into Egypt: Mary rides on the donkey, breast-feeding Jesus; Joseph walks beside them. Etching by W. Basse.
  • Mary and Joseph with Jesus through a wide landscape to Egypt. Etching by J. Callot.
  • The resurrected Christ flying above soldiers. Engraving.
  • Samson stands over vanquished Philistines, a lion's pelt over his shoulders and his ass's jaw at his feet. Autotype after F.J. Shields, 1877.
  • The adoration of the shepherds. Engraving by H. Wierix.
  • The holy family prepare to flee for Egypt. Engraving by F. Poilly after G. Reni.
  • An angel appears to some shepherds in the night. Engraving by J. Sadeler after J. Bassano.