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  • Three dissections of the right hand and wrist, showing the muscles and tendons. Watercolour by J.C. Zeller, ca. 1833.
  • Dissection of the hand and fingers: three figures, showing the tendons and blood vessels. Colour wood engraving with letterpress, 1860/1900?.
  • A standing man facing to his left, showing superficial muscles and tendons. Oil painting by Jacques-Fabien Gautier D'Agoty, 1764/1765.
  • Muscles and tendons of the back: écorché figure. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Muscles and tendons of the back: écorché figure. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Muscles and tendons of the arm and leg: two écorché figures. Red chalk and pencil drawing by A. Durelli, ca. 1837.
  • Muscles and tendons of the back: écorché figure. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Muscles and tendons of the feet: three figures of écorché feet. Lithograph by Martelli or Battistelli (?) after C. Squanquerillo, ca. 1840.
  • Dissection of the foot and lower leg: three figures, showing the tendons, muscles and blood vessels. Colour wood engraving with letterpress, 1860/1900?.
  • Muscles and tendons of the thigh and knee-joint. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Dissection of the back of the thigh, showing the muscles, tendons, blood vessels and arteries. Colour lithograph by G.H. Ford, 1867.
  • Muscles and tendons of the arm and clenched fist. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Muscles and tendons of the neck, arm and trunk: two écorché figures. Red chalk and pencil drawing by A. Durelli, ca. 1837.
  • Muscles and tendons of the foot and hand: two figures. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Muscles and tendons of the foot and hand: two figures. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Muscles, tendons and bones of the knee-joint: two figures. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Red blister for horses and cattle ... : for sprains, enlarged tendons, wind-galls, etc. and whenever a blister has been ordered ...
  • Muscles, tendons and bones of the elbow and hand: three figures. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Right écorché leg and foot (life-size), showing the bones, muscles and tendons. Red chalk and pencil drawing, with bodycolour, by C. Landseer, 1815.
  • Muscles and tendons of the thigh and lower leg: four figures. Red chalk and pencil drawings by or associated with A. Durelli, ca. 1837.
  • Muscles and tendons of the lower leg and foot, seen from behind. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Three figures of the upper arm (above); two figures of the hand showing bones and tendons (below). Red-chalk drawing with ink, 17th century.
  • The muscles, bones and tendons of the arm and hand. Pen and ink, with pink, brown and blue watercolour washes, by C. Landseer, ca. 1815.
  • Muscles and tendons of the lower leg and foot, seen from behind. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Bones, muscles and tendons of the leg, foot, arm, elbow and hand: four figures. Red chalk and pencil drawing, with bodycolour, by W. Harvey, 1819.
  • Two dissections of the arm and shoulder, showing the muscles and tendons. Red and white chalk and ink drawing by J.C. Zeller, ca. 1833.
  • Muscles and tendons of the lower leg and foot, seen from behind. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • The muscles of the arm and palm of the hand and geometrical diagrams of the tendons and fibres of different muscles. Engraving after G. de Lairesse, 1739.
  • Bones, muscles and tendons of the pelvis, leg and foot: two details of an écorché figure. Red chalk and pencil drawing, with bodycolour, by W. Harvey, 1819.
  • The muscles of the back of the hand and the forearm dissected. The tendons are raised and separated by various instruments. Engraving after G. de Lairesse, 1739.