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  • Rama breaks Shiva's bow in order to win the hand of Sita in front of the selection panel. Chromolithograph by R. Varma.
  • A scene from Ramakian or Ramayan, the Indian epic: Rama riding on top of a chariot holding a sword, along with Lakshman and Sita (?). Gouache painting by a Thai artist.
  • Five-headed Shiva playing musical instruments. Coloured transfer lithograph.
  • Indian musicians with their instruments. Gouache drawing.
  • China. Photograph by John Thomson, 1869.
  • China. Photograph, 1981, from a negative by John Thomson, 1869.
  • China. Photograph by John Thomson, 1869.
  • One forty-nine coloured gouache illustrations.
  • One of forty-nine coloured gouache illustrations.
  • One of forty-nine coloured gouache illustrations.
  • One of forty-nine coloured gouache illustrations.
  • One of forty-nine coloured gouache illustrations
  • One of forty-nine coloured gouache illustrations.
  • One of forty-nine coloured gouache illustrations.
  • Hindi Manuscript 395
  • Hindi Manuscript 400
  • One of forty-nine coloured gouache illustrations.
  • Hindi Manuscript 404
  • One of forty-nine coloured gouache illustrations.
  • Hindi Manuscript 395
  • Rāma and Sītā being carried in the beak of Jatayu. Watercolour drawing, c. 1880.
  • Rama fighting with his sons with the help of Hanuman over a horse sacrifice. Watercolour drawing.
  • Paul Fleming [Flaming]. Line engraving, 1642.
  • Rama fighting his twin sons with support from Hanuman. Coloured transfer lithograph.
  • Dissection made after the removal of a pregnant uterus, showing the parts lying immediately behind. Copperplate engraving by C. Grignion after I.V. Rymsdyk, 1774, reprinted 1851.
  • Rama fighting his sons Lava and Kusa with Hanuman helping. Watercolour drawing.
  • The Virgin of Iciar at Deva. Etching by C. Casanova, 1741.
  • Soraluze-Placencia de las Armas, Spain: the town and its surrounding places, its armaments factory, inscribed tabernacles describing them, and dedications to King Ferdinand VI and the Conde de Aranda. Engraving by J.F. Palomino after J. Zameza after F.J. de Lamot, 1756.