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  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • Chinese woodcut: Play of the five creatures, 2 - The Bear
  • Chinese woodcut: Play of the five creatures, 3 - The Deer
  • Chinese woodcut: Play of the five creatures, 4 - The Ape
  • Chinese woodcut: Play of the five creatures, 5 - The Bird
  • Chinese woodcut: Play of the five creatures, 1 - The Tiger
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Three Tibetan anatomical figures. Watercolour, 1904.
  • Three Tibetan anatomical figures. Watercolour, 1904.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • The first use of ether in dental surgery, 1846. Oil painting by Ernest Board.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the neck, tongue and jaws. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J.F. Gautier d'Agoty, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the pharynx, viewed from the back and side, and separated. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.