Wellcome uses cookies.

Read our policy
Skip to main content
60 results
  • Bilvamangala's Balagopalastuti: folio 45 recto
  • A kite, ill with repletion, lies on its back in a nest in the fork of a tree, while its mother with outspread wings stands above; illustration of a fable by Aesop. Etching.
  • Museum of Practical Geology: a lecture by Lyon Playfair on the chemistry, manufacture and uses of glass. Wood engraving, 1852.
  • Matthew Barwick. Drawing by T. Hennell, ca. 1935.
  •  A tempestuous sea with a man chasing a boat.
  • Thomas Dimsdale, Baron Dimsdale. Oil painting after a painting attributed to N. Plimer.
  • Thomas Dimsdale, Baron Dimsdale. Oil painting after a painting attributed to N. Plimer.
  • Thomas Dimsdale, Baron Dimsdale. Oil painting after a painting attributed to N. Plimer.
  • A cross amidst trees and flames
  • Part of Claybury Mental Hospital seen from the grounds. Drawing by T. Hennell, ca. 1935.
  • A man hurtles to earth where strange beasts roam and a man's half-devoured skeleton lies.
  • A ragged looking man is standing in a prison courtyard with a piece of rope in his hand; representing scorn of material wealth by a man who has none. Coloured lithograph.
  • The distressed poet. An angry milkmaid is collecting money from the poet's abode. Engraving by T. Cook after W. Hogarth.
  • Captain Ducie approaches the dead body of M. Platzoff. Process print after R. Taylor after M. L. Gow.
  • A poor London street strewn with hopeless drunkards and lined with gin shops and a flourishing pawnbroker. Engraving, c. 1751, after W. Hogarth.
  • A poor London street strewn with hopeless drunkards and lined with gin shops and a flourishing pawnbroker. Engraving, c. 1751, after W. Hogarth.
  • Three London scenes: a man being cajoled by two prostitutes, a young man being accosted by two debt-collectors, and a physician attending a patient. Coloured etching by G. Cruikshank after J. Sheringham, 1821.
  • Emma Page, a patient at the West Riding Lunatic Asylum, Wakefield, Yorkshire. Photograph attributed to James Crichton-Browne, 1873.
  • A doctor suggests to an exhausted patient that he commit theft and spend some time locked in a police cell in order to regain his health. Wood engraving by G. Du Maurier, 1878.
  • Emma Page, a patient at the West Riding Lunatic Asylum, Wakefield, Yorkshire. Photograph attributed to James Crichton-Browne, 1873.
  • A futuristic vision: technology is over-sophisticated, and the masses devote themselves to intellectual pursuits, while the basic needs of society are neglected. Coloured etching by W. Heath, 1828, after F.A.
  • An autopsy on an investor in the Dutch speculation boom of 1720 reveals that he had died of an excess of air, representing lack of value in the shares. Etching, 1720.
  • An autopsy on an investor in the Dutch speculation boom of 1720 reveals that he had died of an excess of air, representing lack of value in the shares. Etching, 1720.
  • A nightwatchman disturbs a body-snatcher who has dropped the stolen corpse he had been carrying in a hamper, while the anatomist runs away. Etching with engraving by W. Austin, 1773.
  • A nightwatchman disturbs a body-snatcher who has dropped the stolen corpse he had been carrying in a hamper, while the anatomist runs away. Etching with engraving by W. Austin, 1773.
  • A nightwatchman disturbs a body-snatcher who has dropped the stolen corpse he had been carrying in a hamper, while the anatomist runs away. Etching with engraving by W. Austin, 1773.
  • A nightwatchman disturbs a body-snatcher who has dropped the stolen corpse he had been carrying in a hamper, while the anatomist runs away. Etching with engraving by W. Austin, 1773.
  • Eleven decorated initials from the Basel 1555 edition of Andreas Vesalius's De humani corporis fabrica. Woodcuts, 1555.
  • Eleven decorated initials from the Basel 1555 edition of Andreas Vesalius's De humani corporis fabrica. Woodcuts, 1555.
  • Eleven decorated initials from the Basel 1555 edition of Andreas Vesalius's De humani corporis fabrica. Woodcuts, 1555.