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  • The anatomy of the external forms of man : intended for the use of artists, painters and sculptors / By J. Fau ; edited with additions by Robert Knox. With an atlas of twenty-eight plates, quarto.
  • The anatomy of the external forms of man : intended for the use of artists, painters and sculptors / By J. Fau ; edited with additions by Robert Knox. With an atlas of twenty-eight plates, quarto.
  • The anatomy of the external forms of man : intended for the use of artists, painters and sculptors / By J. Fau ; edited with additions by Robert Knox. With an atlas of twenty-eight plates, quarto.
  • John Dee performing an experiment before Queen Elizabeth I. Oil painting by Henry Gillard Glindoni.
  • John Dee performing an experiment before Queen Elizabeth I. Oil painting by Henry Gillard Glindoni.
  • John Dee performing an experiment before Queen Elizabeth I. Oil painting by Henry Gillard Glindoni.
  • John Dee performing an experiment before Queen Elizabeth I. Oil painting by Henry Gillard Glindoni.
  • John Dee performing an experiment before Queen Elizabeth I. Oil painting by Henry Gillard Glindoni.
  • John Dee performing an experiment before Queen Elizabeth I. Oil painting by Henry Gillard Glindoni.
  • John Dee performing an experiment before Queen Elizabeth I. Oil painting by Henry Gillard Glindoni.
  • John Dee performing an experiment before Queen Elizabeth I. Oil painting by Henry Gillard Glindoni.
  • Sir Matthew Wood. Mezzotint by W. Dickinson, 1817, after Lady Bell.
  • William Bromfield. Coloured engraving by D. Orme, 1792, after R. Cosway.
  • William Bromfield. Coloured engraving by D. Orme, 1792, after R. Cosway.
  • A character in the play "The widdow Ranter": Semernia, a Native American queen, with two pageboys. Mezzotint by W. Vincent.
  • A monument within which is suspended the flayed skin of a man, with a canal system as an allegory of the circulation of blood, and other allegories of anatomy. Engraving, 1651.
  • A monument within which is suspended the flayed skin of a man, with a canal system as an allegory of the circulation of blood, and other allegories of anatomy. Engraving, 1651.
  • Lady Jane Grey is led to her execution, handing over her table-book to Sir John Gage. Line engraving with etching by Warren after W. Hamilton, 1802.
  • Glasgow: the Royal Infirmary, the cathedral, and Barony Church. Line engraving by J. Swan after J. Knox.
  • Protesting licentiates marching to the Royal College of Physicians in 1767. Coloured etching by J. June, 1768.
  • Protesting licentiates marching to the Royal College of Physicians in 1767. Coloured etching by J. June, 1768.
  • Protesting licentiates marching to the Royal College of Physicians in 1767. Coloured etching by J. June, 1768.
  • Attributes of Kubera in a "rgyan tshogs" banner. Distemper painting by a Tibetan painter.
  • Attributes of Kubera in a "rgyan tshogs" banner. Distemper painting by a Tibetan painter.
  • Attributes of Kubera in a "rgyan tshogs" banner. Distemper painting by a Tibetan painter.
  • Attributes of Kubera in a "rgyan tshogs" banner. Distemper painting by a Tibetan painter.
  • Jean Paul Marat. Coloured etching by J. L. Copia after J. L. David, [1793].
  • Two naked men face one another, grapple, one forces the other to the ground then lowers himself on top of him. Collotype after Eadweard Muybridge, 1887.
  • Two naked men face one another, grapple, one forces the other to the ground then lowers himself on top of him. Collotype after Eadweard Muybridge, 1887.