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  • A calendar for the year 1994 edged with gold at the top and containing numerous images of couples within borders bearing the words 'AIDS'; an advertisement for the Program on AIDS by the Thai Red Cross Society supported by Unicef and the Ford Foundation. Colour lithograph, ca. 1994.
  • A calendar for the year 1994 edged with gold at the top and containing numerous images of couples within borders bearing the words 'AIDS'; an advertisement for the Program on AIDS by the Thai Red Cross Society supported by Unicef and the Ford Foundation. Colour lithograph, ca. 1994.
  • A calendar for the year 1994 edged with gold at the top and containing numerous images of couples within borders bearing the words 'AIDS'; an advertisement for the Program on AIDS by the Thai Red Cross Society supported by Unicef and the Ford Foundation. Colour lithograph, ca. 1994.
  • A calendar for the year 1994 edged with gold at the top and containing numerous images of couples within borders bearing the words 'AIDS'; an advertisement for the Program on AIDS by the Thai Red Cross Society supported by Unicef and the Ford Foundation. Colour lithograph, ca. 1994.
  • A calendar for the year 1994 edged with gold at the top and containing numerous images of couples within borders bearing the words 'AIDS'; an advertisement for the Program on AIDS by the Thai Red Cross Society supported by Unicef and the Ford Foundation. Colour lithograph, ca. 1994.
  • A calendar for the year 1994 edged with gold at the top and containing numerous images of couples within borders bearing the words 'AIDS'; an advertisement for the Program on AIDS by the Thai Red Cross Society supported by Unicef and the Ford Foundation. Colour lithograph, ca. 1994.
  • An Irish bachelor sits threading a needle to mend his ragged clothes. Lithograph by T. Maguire, 1855, after E. Nicol.
  • Twelve designs featuring couples and the words 'AIDS' used in a calendar for the year 1994 as part of an advertisement for the Program on AIDS by the Thai Red Cross Society supported by Unicef and the Ford Foundation. Colour lithograph, ca. 1995.
  • A dilapidated hay wain, pulled by emaciated donkeys (Mental and Physical Weakness) is driven by a young man (Torpor) and carries two women in rags (Poverty and Humility) while three women (Fragility, Patience and Servitude) accompany the cart; representing the attributes of human existence. Engraving by Cornelis Cort, 1564, after M. van Heemskerck.
  • Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
  • Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
  • Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
  • Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
  • Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
  • Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
  • Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
  • An écorché horse in motion, facing right and with left foreleg flexed. Lithograph by J. Laurens after a bronze sculpture by I. Bonheur, 1860/1870 (?).
  • A red apple forming the tip of a penis with a quote from Albert Camus: 'La felicidad es generosa ... no vive de destrucción' [Happiness is ... generous destruction of lives] and the letters 'SIDA' in each corner; advertising the danger of AIDS. Colour lithograph by Santiago Pol, 1994.
  • A red apple forming the the tip of a penis with a quote from Albert Camus: 'La felicidad es generosa ... no vive de destrucción' [Happiness is ... generous destruction of lives] and the letters 'SIDA' in each corner; one of a series of anti-AIDS posters produced by Artis entitled 'Imágenes contra el SIDA' [Images against AIDS]. Colour lithograph by Santiago Pol, 1994.
  • Exhibition of posters entitled 'Kunst und AIDS in 1993
  • Seventeen different pieces of sealed, precious medicinal earth known as 'terra sigillata'. Pen drawing.
  • Paul Ferdinand Gachet. Etching by V. van Gogh, 1890.
  • Paul Ferdinand Gachet. Etching by V. van Gogh, 1890.
  • Paul Ferdinand Gachet. Etching by V. van Gogh, 1890.
  • People gathered around a candle-lit table; one man, held by another appears terrified, one person holds a glass, and a large figure looms in the background. Aquatint. by K. Hofer, 1899.
  • A pink triangle against a black backdrop with the words 'Silence=Death' representing an advertisement for the Silence=Death Project used by permission by ACT-UP, The AIDS Coalition To Unleash Power. Colour lithograph, 1987.
  • The Last Judgment: the graves open and the dead emerge. Line engraving by P. de Jode the elder, 1615, after Jean Cousin the younger.
  • Veronicastrum virginicum 'Pink Glow'
  • Veronicastrum virginicum 'Pink Glow'
  • A woman divided into two, representing life and death. Oil painting.