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  • John Fothergill: portrait in oval frame with trompe l'oeil surroundings. Line engraving by [T.?] Cook, 1781.
  • John Fothergill: portrait in oval frame with trompe l'oeil surroundings. Line engraving by [T.?] Cook, 1781.
  • Portrait of Theodor Billroth (1829-1894). Reproduction of engraving, half-length to left in oval, with signature
  • Textiles: silk weaving equipment, plan and elevation of an oval loom. Engraving by R. Benard after L.-J. Goussier.
  • Astronomy: an oval chart showing how different planets affect different parts of a man's body. Engraving by P. Miotte.
  • End factory farming : national march and rally, Saturday 13 July 2002 : meet at noon at Kennington Park, London SE11 (nearest tube: Oval) : Food for life festival... / Viva! [and others].
  • End factory farming : national march and rally, Saturday 13 July 2002 : meet at noon at Kennington Park, London SE11 (nearest tube: Oval) : Food for life festival... / Viva! [and others].
  • Textiles: silk weaving silk weaving equipment, plan and elevation of an oval loom. Engraving by R. Benard after L.-J. Goussier.
  • A snake, dark green/brown in colour, with dark brown oval-shaped markings or cross-bands edged in white. Watercolour, ca. 1795.
  • Nicholas-Joseph Marcassus, Baron de Puymaurin (1718-1791): oval head and shoulders portrait. Crayon manner print by Lavalée after J. Gamelin, 1779.
  • A snake, very small and slender, pale yellow in colour, with dark brown oval-shaped markings or cross-bands. Watercolour, ca. 1795.
  • The name 'Aretha Franklin: Duets' within a black oval against a background of roses; advertising an AIDS benefit concert. Colour lithograph by Milton Glaser, 1993.
  • A Qajar woman wearing a European, hooped dress and bodice, carrying a yellow, oval object, possibly a mirror. Gouache painting by an Persian artist, Qajar period.
  • Six renditions of a boy; the normal countenance is in the top oval, the remaining five distorted countenances are in the roundels. Colour woodcut by Kobayashi Kiyochika, 1884.
  • Six renditions of a girl; the normal countenance is in the top oval, the remaining five distorted countenances are in the roundels. Colour woodcut by Kobayashi Kiyochika, 1884.
  • Six renditions of an older boy; the normal countenance is in the top oval, the remaining five distorted countenances are in the roundels. Colour woodcut by Kobayashi Kiyochika, 1884.
  • A snake, small and slender, pale in colour, with oval-shaped brown markings running along its back (which become gradually paler towards the lower body and tail). Watercolour, ca. 1795.
  • Sir Hugh Myddelton, in an oval surround underneath which are surveying and mining tools, with a plan of the course of the New River. Line engraving by A. Walker, 1751, after C. Johnson, 1632.
  • William Withering, portrait (top, in oval), and Withering analysing the waters of the Queen's Bath (Caldas de Rainha) at the request of the Portugese Court (below, vignette). Stipple engraving by W. Ridley, 1801, after C. F. von Breda.
  • William Withering, portrait (top, in oval), and Withering analysing the waters of the Queen's Bath (Caldas de Rainha) at the request of the Portugese Court (below, vignette). Stipple engraving by W. Ridley, 1801, after C. F. von Breda.
  • William Withering, portrait (top, in oval), and Withering analysing the waters of the Queen's Bath (Caldas de Rainha) at the request of the Portugese Court (below, vignette). Stipple engraving by W. Ridley, 1801, after C. F. von Breda.
  • William Withering, portrait (top, in oval), and Withering analysing the waters of the Queen's Bath (Caldas de Rainha) at the request of the Portugese Court (below, vignette). Stipple engraving by W. Ridley, 1801, after C. F. von Breda.
  • Four decorative Maori figures within a red oval representing an advertisement for Whakapuakitanga, a support group for young gay or bisexual Māori men; advertisement by the NZ AIDS Foundation and Te Roopu Tautoko Trust. Colour lithograph by Paul Henckel [?], 1993.
  • <i> Plasmodium ovale</i>
  • A seated female figure with bound mouth holding a palette and a mahl stick and supporting an oval male portrait, with a second female figure handing a pair of dividers to a boy, with other boys drawing and supporting a blank sheet. Red chalk drawing.
  • The most appetising bread : Hovis, the national health builder / [Hovis Ltd.] Brown paper bag with string handles. An illustration of a loaf of Hovis wholemeal bread is printed in dark blue on one side and a slogan in a decorative oval border is on the reverse.
  • The most appetising bread : Hovis, the national health builder / [Hovis Ltd.] Brown paper bag with string handles. An illustration of a loaf of Hovis wholemeal bread is printed in dark blue on one side and a slogan in a decorative oval border is on the reverse.
  • A woman having her extremely high wig (which towers over her head in an oval form and is flanked by parallel horizontal curls) dressed with curling tongs by a French hair-dresser on a step-ladder; the woman's husband looks on through a small telescope. Engraving, c. 1771.
  • A woman having her extremely high wig (which towers over her head in an oval form and is flanked by parallel horizontal curls) dressed with curling tongs by a French hair-dresser on a step-ladder; the woman's husband looks on through a small telescope. Engraving, c. 1771.
  • 4 Pewter medicine spoons or measures. Medicine spoon or measure, probably pewter, with bowl at either end. Medicine spoon or child's feeding spoon, plated. Hallmark castle in shiled; EP; Co. P; S. Medicine spoon or measure, plted. Hall-mark: Maws's trademark; A; 16 in shield. Veterinary feeding spoon. Hallmark: ETM; fleur-de-lys; C in oval, NS.