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205 results
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • The gyri of the thinker's brain as a maze of choices in biomedical ethics. Scraperboard drawing by Bill Sanderson, 1997.
  • Forms of misbehaviour, drunkeness, debauchery, and violence among Sikhs. Coloured transfer lithograph.
  • A street scene with building work going on: an old man holds his cap out to a well-dressed man who refuses to help him. Lithograph by Joseph Louis Hippolyte Bellangé.
  • The love of divinity and wisdom and its effects on shameful love and indulgence. Engraving after Pietro da Cortona.
  • People living a life of fantasy as a result of being excessively influenced by reading novels. Coloured etching after G.M. Woodward, 1800.
  • People living a life of fantasy as a result of being excessively influenced by reading novels. Coloured etching after G.M. Woodward, 1800.
  • A chemist gives a demonstration involving arsenic to an audience. Coloured lithograph by H. Daumier, 1841.
  • An old vagrant's corpse is stuffed with newspaper after being raided for useful organs by two pipe-smoking, wisecracking surgeons. Colour photomechanical reproduction of a lithograph by N. Dorville, c. 1901.
  • A poor family starves in the centre of Paris: a workman brings them a bowl of soup, a banker for a "Philanthropic bank" ignores them, public funds are spent on a new stock exchange, and books are advertised advocating self-help. Lithograph by Villain after N.-T. Charlet, 1840.
  • A dancing woman with four male musicians of south India. Gouache painting.
  • The works of Sir Thomas Browne / edited by Charles Sayle.
  • Phrenological chart, with list of 35 faculties. Wood engraving with letterpress, written by E.T. Craig, 1836.
  • Blackwell's Island Penitentiary, New York: (left) prisoners are walking in a long file leaving spoons in a bowl as they go  past; (right) prisoners stand in line to receive a loaf of bread. Wood engraving by W.J. Palmer, 1876, after F. Régamay.
  • Süleyman II, seated at table on the left, is asked by Roxalana to give her his handkerchief; he does so, but she immediately gives it to Delia. Engraving.
  • A gentleman's toilet ("La petite toilette"). Oil painting after Jean-Michel Moreau le jeune.
  • Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.
  • A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.