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  • Richard Mead. Line engraving after A. Ramsay.
  • Richard Mead. Line engraving by Barrett, 1795, after A. Ramsay.
  • Richard Mead. Line engraving after A. Ramsay.
  • Richard Mead. Mezzotint by A. Pond, 1739.
  • Richard Mead. Mezzotint by R. Houston after A. Ramsay.
  • Richard Mead. Etching by J. Romney, 1817, after A. Ramsay.
  • An Italian landscape; a village in the background; men in the foreground. Engraving by J.B. Chatelain after G. Poussin, 1741.
  • Theophrastus. Etching by J. Richardson the elder, 1739.
  • Saint Mary Magdalen. Etching by A. Pond, 1734, after Annibale Carracci.
  • Saint Mary Magdalen. Etching by A. Pond, 1734, after Annibale Carracci.
  • William Harvey. Line engraving by J. Houbraken, 1739, after W. von Bemmel (?), 1657.
  • William Harvey. Line engraving by J. Houbraken, 1739, after W. von Bemmel (?), 1657.
  • Medicina flagellata: or, the doctor scarify'd. Laying open the vices of the Faculty, the insignificancy of a great part of their materia medica; with certain rules to discern the true physician from the emperick, and the useful medicine from the noxious and trading physick. With an essay on health, or the power of a regimen. To which is added, a discovery of some remarkable errors in the late writings on the plague / by Dr. Mead, Quincey, Bradley, etc. With some useful and necessary rules to be observed in the time of that contagious distemper.
  • Medicina flagellata: or, the doctor scarify'd. Laying open the vices of the Faculty, the insignificancy of a great part of their materia medica; with certain rules to discern the true physician from the emperick, and the useful medicine from the noxious and trading physick. With an essay on health, or the power of a regimen. To which is added, a discovery of some remarkable errors in the late writings on the plague / by Dr. Mead, Quincey, Bradley, etc. With some useful and necessary rules to be observed in the time of that contagious distemper.
  • The Apollo Belvedere. Etching by R. Dalton, 174-.
  • 49 Great Ormond Street, London, in course of demolition. Watercolour by J. P. Emslie, 1882.
  • Sir Theodore Turquet de Mayerne. Mezzotint by J. Simon after Sir P. P. Rubens.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • The gold-headed cane / [W. Macmichael].
  • The gold-headed cane / [W. Macmichael].
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • The entrance hall and staircase to 49 Great Ormond Street. Pencil drawing by J. P. Emslie, c.1882.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • Thomas Guy meeting with others to discuss his hospital, a maidservant brings food and drink. Photogravure after C. W. Cope, 1871.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • Thomas Guy meeting with others to discuss his hospital, a maidservant brings food and drink. Photogravure after C. W. Cope, 1871.
  • The gold-headed cane / by William Macmichael, M.D.; edited with explanatory and illustrative notes and an essay on William Macmichael, M.D., his life, his works, and his editors, by Herbert Spencer Robinson; containing the original illustrations of the 1828 edition and hitherto unpublished portraits of the Macmichael family and a reproduction of William Macmichael's handwriting.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • The entrance hall and staircase to 49 Great Ormond Street. Pencil drawing by J. P. Emslie, c.1882.
  • Robert Walpole, Earl of Orford, with a whip in one hand and a letter in the other, mounted on an ass with a human head. Etching with engraving, 1745.