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159 results
  • Saint Mark, writing his gospel. Engraving by F.H. van Hoven after G. Freman.
  • Martyrdom of Saint Mark. Engraving by A. Zucchi after S. Manaigo after J. Tintoretto.
  • Saint Mark. Line engraving by P.G. Langlois after G.B. Wicar after Fra Bartolomeo.
  • Saint Mark, beginning the writing of his gospel. Engraving after P. de Jode the elder.
  • The Virgin Mary with the Christ child in glory above, with Saint John the Baptist, Saint Mark and Saint Francis below. Drawing by F. Rosaspina, c. 1830, after F. Albani.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • Saint Thomas's Hospital, Southwark: the courtyard, with portraits of Mark Akenside, Richard Mead and William Cheselden. Oil painting.
  • An evangelist (Saint Mark?) holding a book, whole length to left. Tempera painting by a Spanish painter, 14th century.
  • An evangelist (Saint Mark?) holding a book, whole length to left. Tempera painting by a Spanish painter, 14th century.
  • An evangelist (Saint Mark?) holding a book, whole length to left. Tempera painting by a Spanish painter, 14th century.
  • An evangelist (Saint Mark?) holding a book, whole length to left. Tempera painting by a Spanish painter, 14th century.
  • Saint Mark's Square, Venice: two men on horseback are jousting at a tournament before a crowd celebrating the marriage of Jacopo Foscari. Steel engraving by E. Goodall, 1830, after T. Stothard..
  • A slave who venerated the relics of Saint Mark is saved from martyrdom when his instrument of torture is broken by a miracle. Colour woodcut by J.B. Jackson, 1731/1745, after J. Robusti, il Tintoretto.
  • A man charged with punishing a slave who venerated the relics of Saint Mark shows that his instrument of torture was broken by a miracle. Colour woodcut by J.B. Jackson, 1731/1745, after J. Robusti, il Tintoretto.
  • A man charged with punishing a slave who venerated the relics of Saint Mark shows that his instrument of torture was broken by a miracle. Colour woodcut by J.B. Jackson, 1731/1745, after J. Robusti, il Tintoretto.
  • A man charged with punishing a slave who venerated the relics of Saint Mark shows that his instrument of torture was broken by a miracle. Colour woodcut by J.B. Jackson, 1731/1745, after J. Robusti, il Tintoretto.
  • A young man holding a flower, letter and a cigarette, marking the feast of Saint Eligius. Colour photographic postcard, 1928.
  • A young man holding a flower, letter and a cigarette, marking the feast of Saint Eligius. Colour photographic postcard, 1928.
  • Saint Januarius: ceremony marking the liquefaction of his blood in Naples cathedral. Etching by G. Martini and L. Germain and engraving by B. Nicolet, after L.J. Desprez.
  • Christ raises Jairus' daughter. Etching by C.W. Griessmann after G. van den Eeckhout.
  • A man preaching to a crowd. Engraving after Raphael.
  • Lamentation over the dead Christ. Engraving after P. de Champaigne.
  • Christ healing a paralysed man lowered from the roof of a house in Capernaum. Engraving.
  • A man holding a trumpet, with flowers, celebrating Saint Cecilia's day. Coloured photographic postcard, 1931.
  • A young man holding roses, engaging the viewer. Colour photographic postcard, 192-.
  • A young man holding roses. Colour photographic postcard, 192-.
  • A young man, in profile, reading a note. Photographic postcard, 1927.