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  • Sir Thomas Lauder Brunton. Photogravure after chalk drawing by Lowes Cato Dickinson, 1890.
  • Sir Thomas Lauder Brunton. Photogravure after chalk drawing by Lowes Cato Dickinson, 1890.
  • The entrance of Low Hill General Cemetery, Liverpool. Engraving by Robert Wallis after Thomas Allom.
  • William Burke (centre), Dr Alexander Monro III (top left), William Robertson (top right), Thomas Beveridge (lower left), Dr Robert Knox (lower right) Silhouettes, c. 1830.
  • Old St. Thomas's Hospital: a cadaver, a skull, bones of the lower leg and foot, and two bell-jars on stands. Engraving by A. R. Freebairn after a medallion by W. Wyon, 1829.
  • Dr. Nichols' penny vegetarian cookery : the science and art of selecting and preparing a pure, healthful, and sufficient diet.
  • A young man in elaborate drag sits in front of a painted sky backdrop. Photographic postcard, 1934.
  • A young man in elaborate drag sits in front of a painted sky backdrop. Photographic postcard, 1934.
  • A meeting of the Council of the Royal College of Surgeons in the Council Chamber, 1927. Photograph after M. Ayoub, 1927.
  • A meeting of the Council of the Royal College of Surgeons in the Council Chamber, 1927. Photograph after M. Ayoub, 1927.
  • Commentariorum urbanorum libri XXXVIII
  • Words of comfort / [Dr. Jayne Company].
  • Words of comfort / [Dr. Jayne Company].
  • Veins and arteries. Engraving, 1686.
  • A piece of small intestine showing typhoid lesions: two figures. Watercolour.
  • A piece of small intestine showing typhoid lesions: two figures. Watercolour.
  • Commentariorum urbanorum libri XXXVIII. Item Oeconomicus Xenophontis ab eodem latio donatus.
  • The anatomy of the heart. Engraving, 1686.
  • Men, women and child slaves near Tete, Mozambique, are forced to walk through the fields fettered at the neck and wrists. Wood engraving by J.W. Whymper after J.B. Zwecker.
  • Head and shoulders of a man, seen from the left, showing the muscles of the neck, chest and shoulder. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.
  • The heart and its muscle fibres. Engraving, 1686.
  • Head and shoulders of a man, seen from the left, showing the muscles of the neck, chest and shoulder. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.
  • Entertainment ephemera. Box 1.
  • Venus visits Aesculapius to ask him to remove a thorn from her foot. Collotype after Sir E.J. Poynter, ca. 1880.
  • Venus visits Aesculapius to ask him to remove a thorn from her foot. Colour process print after Sir E.J. Poynter.
  • The emblematic figure of a man representing secularisation, technical innovation, educational reforms and liberal politics in the United Kingdom. Lithograph, ca. 1830.