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  • A drunk bridegroom carrying the chauffeur over the threshold, leaving the indignant bride in the car. Colour process print, ca. 1968-1970.
  • A Greenwich Pensioner, sitting with his pipe and walking stick. Wood engraving.
  • A shaving machine enabling many people to be shaved at the same time. Coloured etching.
  • A shaving machine enabling many people to be shaved at the same time. Coloured etching.
  • Beards takin off. & registurd! / by Isaac Fac-Totum, barber, peri-wig maker, surgeon, parish clark, scool master, blacksmith, and man-midwife.
  • Two boys in single beds applying make-up and perfume to themselves. Colour process print after Rob-Vel, 193-.
  • Two boys in single beds applying make-up and perfume to themselves. Colour process print after Rob-Vel, 193-.
  • Androgynous fashions of the 1920s. Colour process print, 192--.
  • Androgynous fashions of the 1920s. Colour process print, 192--.
  • Sir Charles Wetherell collapsed in a chair surrounded by both smiling and weeping fellow politicians; referring to reactions to the Plan of Reform which disenfranchised sixty boroughs. Coloured lithograph by J. Doyle, 1831.
  • A milkmaid milking a cow and giving a bowl of the milk to two children. Engraving by F. Bartolozzi after F. Zuccarelli, ca. 1762.
  • A child blowing bubbles. Engraving by J.G. Wille, 1761, after G. Netscher, 1670 (?).
  • Edmund Taylor. Lithograph by T. Crane.
  • Safe-sex advertisement during the Brazilian Carnival
  • A washing line bearing two inflated condoms and a red and yellow flag representing a safe-sex advertisement during the Brazilian Carnival by Gapa/BS. Colour lithograph, ca. 1995.
  • Advertisement by Deutsche AIDS-Hilfe
  • A young gay man with an earring smiles with two other men behind him with the message "Okay: I am gay" and "I am strong"; an advertisement by Deutsche AIDS-Hilfe e.V. Colour lithograph by Reinhard Lorenz, Claus-Wilhelm Klinker and Wolfgang Mudra.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.