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  • The Last Supper: Christ institutes the Eucharist. Engraving by C. Bouzonnet Stella after J. Stella.
  • The extreme unction of Christ. Chiaroscuro woodcut by J. Skippe, 1783, after F. Mazzola, il Parmigianino.
  • Christ entering Jerusalem on Palm Sunday. Engraving by C. Bouzonnet Stella after J. Stella.
  • The deposition of the body of Christ. Engraving attributed to J. Falck, 1655/1660, after J. Bassano.
  • Christ holding a lily. Lithograph by W.C. Maguire.
  • The month July and the sign of Leo, represented by a rural landscape in summer and Christ as the Good Shepherd. Engraving by A. Collaert after H. Bol, 1585.
  • The cross on which Christ died: a woman holding a child up to view it. Engraving after P.R. Morris.
  • Christ trampling the head of the serpent; Moses lifting up the serpent on a cross-shaped pole (Num. 21.8-9). Etching by P. Rothwell.
  • The dead Christ lamented by the four holy women, and by Nicodemus, Joseph of Aramathaea and John: with, each in a roundel, the four Evangelists, and scenes from Christ's Passion. Engraving by Carlo Verico, 1838.
  • The sleeping infant Christ is surrounded by the instruments of the Passion and symbols of death; representing the forthcoming Passion. Engraving after G. Reni.
  • Jesus appoints Peter as head of his church, symbolised by a flock of lambs. Engraving by F. Keller after J.F. Overbeck.
  • The circumcision of Christ. Etching after G.F.M. Mazzola, il Parmigianino.
  • The circumcision of Christ. Etching after G.F.M. Mazzola, il Parmigianino.
  • Pontius Pilate comes out to the people, asks what is the accusation against Christ, and tells the Jews to judge him by their own laws. Engraving after J. Stella.
  • Pontius Pilate interrogates Jesus and finds no fault in him. Engraving by C. Bouzonnet Stella after J. Stella.
  • Jesus appoints Peter as head of the church. Etching by P.L. Ghezzi.
  • The crucifixion of Christ. Woodcut.
  • The wounds of Christ and the Instruments of the Passion; Saint Francis presenting the cross which indicates the height of Christ. Engraving.
  • Christ as the Man of Sorrows. Engraving by W. Sharp, 1798, after G. Reni.
  • John the Baptist indicates Jesus as the Messiah to two of his disciples. Engraving by J. Outrim, 1847, after T. Uwins.
  • The veronica (sudarium of Saint Veronica), representing the face of Christ. Engraving.
  • Left, Christ carrying the Cross, standing on a pile of crosses; right, people with crutches seek his help, within a setting of colonnades. Engraving by G.B. Cavalieri, 1568.
  • Angels venerating a monstrance containing an image of the lamb on the cross. Engraving.
  • Left, Christ carrying the Cross, standing on a pile of crosses; right, people with crutches seek his help, within a setting of colonnades. Engraving by G.B. Cavalieri, 1568.
  • Saint Mary (the Blessed Virgin) with the Christ Child. Engraving by F.P. Massau after S. Lochner.
  • Saint Mary (the Blessed Virgin) with the Christ Child and members of the Meyer family as donors. Colour lithograph by C. Schultz after H. Holbein.
  • The veronica (sudarium of Saint Veronica), representing the face of Christ. Colour collotype after Gabriel Max.
  • Christ talks to a kneeling woman in a wood. Etching.
  • A map of the biblical Palestine with three biblical scenes: Moses and the ten commandments; the serpent on the pole; Christ healing the insane; the Crucifixion. Coloured etching after G. Rogg.
  • Wunderheilungen und ärztliche Schutzpatrone in der bildenden Kunst / von Dr. Oskar Rosenthal.