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  • A chemist, surrounded by symbols and instruments of chemistry, advertising Richard Siddall, chemist in London. Etching by R. Clee, ca. 1750, after J. de Lajoue, ca. 1735.
  • Jean Misaubin and his family. Gouache painting by Joseph Goupy, 172-.
  • Jean Misaubin and his family. Gouache painting by Joseph Goupy, 172-.
  • An election banquet. Engraving by W. Hogarth, 1755.
  • Don Quixote with a lance riding a horse attacks a barber. Engraving by William Hogarth.
  • Four figures including the knight of the rock, Don Quixote, Sancho Panza, a goatherd and a goat. Engraving by William Hogarth.
  • A woman helps to adjust a dress worn by the curate as the barber examines his reflection in a mirror with a beard, in a room furnished with a set of antlers over the door. Engraving by William Hogarth.
  • An old woman soothes a wound on Don Quixote's back. Engraving by William Hogarth.
  • Moll Hackabout is greeted by the brothel keeper, Mother Needham; in the background Colonel Francis Charteris stands at a doorway. Engraving after William Hogarth.
  • French troops loading a ship for the invasion of England. Engraving by T. Cook after W. Hogarth.
  • Analysis of beauty. Plate I.
  • Analysis of beauty. Plate I.
  • A sleepy congregation in a country church with one clergyman reading the serman with the aid of a magnifying glass and the other ogling a sleeping woman. Engraving by W. Hogarth.
  • The distressed poet. An angry milkmaid is collecting money from the poet's abode. Engraving by T. Cook after W. Hogarth.
  • The good Samaritan tending to a wounded man while a priest and a Levite walk on by. Engraving by T. Cook after W. Hogarth.
  • Detail of an audience at a cockfight with a man lighting his pipe. Etching by E. Riepenhausen after W. Hogarth.
  • In the company of his master's daughter Francis Goodchild sings attentively from a hymn book during a church service. Engraving by Thomas Cook after William Hogarth, 1796.
  • Self-portrait of W. Hogarth in a Montero cap, with his dog Trump. Stipple engraving by B. Smith after W. Hogarth.
  • A leering bear with soiled clerical bands, a pot of beer and a club is pictured behind a dog urinating on pamphlets. Engraving by T. Cook after W. Hogarth.
  • The interior of a salon with fashionable people in hoop skirts and corsets, and in which even the servant and the dog are dressed up; satire of contemporary fashion. Engraving by T. Phillibrown after W. Hogarth.
  • A nobleman and an alderman sit at a table neggotiating a marriage settlement between the son of the former and the daughter of the latter. Engraving by Louis Gérard Scotin after William Hogarth, 1745.
  • Detail of an audience at a cockfight. Etching by E. Riepenhausen after W. Hogarth.
  • Analysis of beauty. Plate II.
  • A clergyman reads the sermon with the aid of a magnifying glass to a sleeping congregation while another clergyman ogles a sleeping woman; satire on tedious sermons and the replacement of spirituality by sleep. Mezzotint after W. Hogarth.
  • A rake, Tom Rakewell, is measured for new clothes while a servant is hanging the room in black to show mourning. Engraving by T. Cook after W. Hogarth.
  • An ill man seated by a fireplace vomiting into a bowl. Pencil drawing.
  • At a polling booth, reserve voters, consisting of disabled and sick men and others, proceed up the stairs to take oaths; in the background Britannia sits in a coach that has broken down while the coachman and footman play at cards. Engraving by William Hogarth and François Morellon de la Cave, 1758.
  • Hymen and Cupid. Steel engraving by E. Chavane after W. Hogarth.
  • Detail of a scene at a cockfight. Etching by E. Riepenhausen after W. Hogarth.
  • A crowd of spectators wait as Tom Idle is driven in a cart with his coffin to his place of execution and the gallows. Engraving by Thomas Cook after William Hogarth, 1795.