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  • Women on an island in the Strait of Magellan resisting capture or death at the hands of Dutch pirates under Olivier van Noort, 1598. Engraving by T. Bonnor, 1768.
  • Foundling Hospital, London. Etching by H. Roberts, 1749, after J. Robinson after T. Jacobson.
  • The pain of it all, emotional cancer journey, artwork
  • The presentation of Jesus at the Temple. Painting.
  • Bacon's rebellion, Virginia, 1676-1677: Lydia, the wife of the rebel Edmund Cheeseman, faints as he is condemned for treason by the governor of Virgina, William Berkeley; a toothless old lady is restrained from attacking her. Coloured etching by A. Bobbet after F. Darley.
  • Simeon holds the infant Jesus in his arms. Etching by Rembrandt, ca. 1639.
  • Simeon takes the infant Christ in his arms. Etching by A. Smith.
  • Simeon takes the infant Christ in his arms. Etching by A. Smith.
  • A village ale-house, in which the landlord is offering a watch as the prize in a raffle. Engraving by G. Greatbach after E. Bird.
  • Zinnia cultivar
  • Zinnia cultivar
  • Zinnia cultivar
  • Arrhythmias and hypokalaemia : results of a recent Norwegian study ...
  • Arrhythmias and hypokalaemia : results of a recent Norwegian study ...
  • Arrhythmias and hypokalaemia : results of a recent Norwegian study ...
  • Arrhythmias and hypokalaemia : results of a recent Norwegian study ...
  • Nicolas Bion. Line engraving by N. de Larmessin IV (also numbered III).
  • A Roman academy of artists. Etching after Pier-Francesco Alberti, 16--.
  • The Medical Society of London: John Coakley Lettsom presenting to the society the deeds of 3 Bolt Court, City of London. Stipple engraving by N.C. Branwhite, 1801, after S. Medley, 1800.
  • Death's triumph over a much loved family man; illustrated by a skeletal death figure pulling the hair of the retreating doctor. Coloured aquatint after T. Rowlandson, 1814, after himself.
  • Death's triumph over a much loved family man; illustrated by a skeletal death figure pulling the hair of the retreating doctor. Coloured aquatint after T. Rowlandson, 1814, after himself.
  • Raphaël Bienvenu Sabatier. Line engraving by J. N. Frémy after A. D. Chaudet.
  • Jesus Christ raises Lazarus from his tomb. Coloured woodcut, ca. 1510.
  • Jesus Christ raises Lazarus from his tomb. Coloured woodcut, ca. 1510.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • Three anatomical dissections taking place in an attic. Coloured lithograph by T. C. Wilson after a pen and wash drawing by T. Rowlandson.