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  • Aeson is rejuvenated by having his blood replaced by magic juices in a boiling vat; representing the process of self-destruction in order to attain the elixir of life. Watercolour painting by E.A. Ibbs after Salomon Trismosin.
  • Aeson is rejuvenated by having his blood replaced by magic juices in a boiling vat; representing the process of self-destruction in order to attain the elixir of life. Watercolour painting by E.A. Ibbs after Salomon Trismosin.
  • Aeson is rejuvenated by having his blood replaced by magic juices in a boiling vat; representing the process of self-destruction in order to attain the elixir of life. Watercolour painting by E.A. Ibbs after Salomon Trismosin.
  • Humane research fund appeal / Mark Gold.
  • Two views of the back of a naked man one in pink, the other in pale blue with information on hepatitis B in relation to AIDS and HIV; a two-sided information leaflet written by Dr. Friedrich Chaban published by Hein & Fiete, Hamburg's gay information centre. Colour lithograph, 1994.
  • Two views of the back of a naked man one in pink, the other in pale blue with information on hepatitis B in relation to AIDS and HIV; a two-sided information leaflet written by Dr. Friedrich Chaban published by Hein & Fiete, Hamburg's gay information centre. Colour lithograph, 1994.
  • Royal College of Physicians, Warwick Lane, London: the courtyard. Engraving, 1668/1697.
  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • A sickly young woman sits covered up on a balcony; death (a ghostly skeleton clutching a scythe and an hourglass) is standing next to her; representing tuberculosis. Watercolour by R. Cooper, ca. 1912.
  • A sickly young woman sits covered up on a balcony; death (a ghostly skeleton clutching a scythe and an hourglass) is standing next to her; representing tuberculosis. Watercolour by R. Cooper, ca. 1912.
  • A sickly young woman sits covered up on a balcony; death (a ghostly skeleton clutching a scythe and an hourglass) is standing next to her; representing tuberculosis. Watercolour by R. Cooper, ca. 1912.
  • A sickly young woman sits covered up on a balcony; death (a ghostly skeleton clutching a scythe and an hourglass) is standing next to her; representing tuberculosis. Watercolour by R. Cooper, ca. 1912.
  • An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body. Watercolour by R. Cooper.
  • An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body. Watercolour by R. Cooper.
  • An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body. Watercolour by R. Cooper.
  • An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body. Watercolour by R. Cooper.
  • A verger's dream: Saints Cosmas and Damian performing a miraculous cure by transplantation of a leg. Oil painting attributed to the Master of Los Balbases, ca. 1495.