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  • Lower parts of the face: outlines. Engraving after C. Le Brun.
  • Two heads, both in states of fear. Engraving after C. Le Brun.
  • A middle aged man, nude: frontal view. Engraving by J.D. Herz after himself, c. 1732.
  • A middle aged man, nude: back view. Engraving by J.D. Herz after himself, c. 1732.
  • Designs showing the lower half of the face in various physiognomies and actions. Engraving after C. Le Brun.
  • Designs showing the lower half of the face in various physiognomies and actions. Engraving after C. Le Brun.
  • Hands in various gestures, including prayer and benediction. Engraving after C. Le Brun.
  • Thomas Guy meeting with others to discuss his hospital, a maidservant brings food and drink. Photogravure after C. W. Cope, 1871.
  • Thomas Guy meeting with others to discuss his hospital, a maidservant brings food and drink. Photogravure after C. W. Cope, 1871.
  • The mysteries of nature and art in 4 severall pts / [John Bate].
  • The muscles of the lower arm: the left forearm is seen twice, crossed over and resting on the right forearm and extending from the shoulder. Drawing after Peter Paul Rubens, c. 1610.
  • The muscles of the lower arm: the left forearm is seen twice, crossed over and resting on the right forearm and extending from the shoulder. Drawing after Peter Paul Rubens, c. 1610.
  • Interior of a hospital for horses. Drawing by G. Cruikshank,1835.
  • The dissection of a young, beautiful woman directed by J. Ch. G. Lucae (1814-1885) in order to determine the ideal female proportions. Chalk drawing by J. H. Hasselhorst, 1864.
  • The dissection of a young, beautiful woman directed by J. Ch. G. Lucae (1814-1885) in order to determine the ideal female proportions. Chalk drawing by J. H. Hasselhorst, 1864.
  • The dissection of a young, beautiful woman directed by J. Ch. G. Lucae (1814-1885) in order to determine the ideal female proportions. Chalk drawing by J. H. Hasselhorst, 1864.
  • Singhalese Manuscript 44
  • Head of a youth. Drawing, c. 1794.
  • Head of a youth. Drawing, c. 1794.
  • Head of a youth. Drawing, c. 1794.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • Two men, one with an exaggerated chin, the other with a large nose. Coloured pen drawing attributed to G.M. Woodward.
  • Seven physiognomies. Drawing, c. 1793.
  • Two women weeping over a prone figure. Drawing, c. 1793.
  • Seven physiognomies. Drawing, c. 1793.
  • Plato. Drawing after Raphael, ca. 1793.
  • A pregnant woman in bed another figure stands by the bed explaining something to her. Pen drawing after a woodcut by J. Berntsz, 1538.
  • A diseased penis. Watercolour by C. D'Alton, 18--.