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  • A man is riding a horse along a bridle way. Etching after H.W. Bunbury.
  • A man on horseback with a guiding rein and whip. Etching by H. Bunbury.
  • A tree, possibly an ash tree (Fraxinus species), with surrounding vegetation. Lithograph, c. 1822.
  • Three trees, possibly pines (Pinus species), with surrounding vegetation. Lithograph, c. 1822.
  • An old oak tree (Quercus robur) with surrounding vegetation. Lithograph, c. 1822.
  • A tree, possibly a silver birch (Betula pendula), with surrounding vegetation. Lithograph, c. 1822.
  • Oliver Caswell and Laura Bridgman reading embossed letters from a book. Lithograph by W. Sharp, 1844, after A. Fisher.
  • A dog retrieving fowl to its owner. Lithograph by J. Ward.
  • A young woman sits with a book on her knee and a child by her side. Stipple engraving by Emma Crewe.
  • Giuditta Pasta in the role of Medea: she embraces her children (left) and then throws her arms up in anticipation of murdering them (right). Lithograph by John Hayter, 1827.
  • A woman with a wig in one hand and an umbrella in the other stands shouting as a man cleans the barrel of a rifle and a dog stands nearby with a bone in his mouth. Stipple engraving by H. Bunbury.
  • Two men grooming and getting a race horse ready on a race course. Lithograph by E. Purcell after C. Vernet.
  • A man on horseback riding past a road sign to York and Carlisle. Etching by H. Bunbury.
  • Two girls dress up a kitten in a bonnet. Mezzotint by T. Watson, 1781, after Joseph Wright.
  • A man in a wide brimmed conical hat is about to shave his customer. Coloured lithograph after W.R. Snow.
  • A discussion group attended by glum, ugly, and bored people. Stipple engraving after H.W. Bunbury, 1782.
  • A young woman gazing at the portrait of her beloved and ignoring religion. Lithograph by R.J. Lane, 1824, after G.S. Newton.
  • Mary (Molly) Blandy, before her execution for poisoning her father. Etching, 1752.
  • The mystic marriage of Catherine of Alexandria and the infant Christ. Etching by C. Bouzonnet Stella after F. Lauri.
  • Royal Society of Medicine 1991/92 year planner.
  • Aldermen of the City of London Corporation represented as Chinese and as monsters in procession to Westminster to protest against the Treaty of Paris, 1763. Etching after J.H. O'Neale, 1763.
  • Portrait of St Mary's Hospital surgeons,
  • Engineering: side elevation of the Bramah planing machine. Engraving by W. Lowry, 1814, after J. Farey.
  • Printing: three-quarter view and details of the Bramah numerator press for banknote production. Engraving by Mutlow after J. Farey.
  • Hydraulics: section and details of the Bramah hydrostatic press. Engraving by W. Lowry after J. Farey.
  • Locks: details of two types of lock. Engraving by H. Mutlow after J. Farey.
  • Engineering: cross section of the Bramah planing machine. Engraving by Lowry, 1814, after J. Farey.
  • Engineering: side elevation of the Bramah lifting jib. Engraving by W. Lowry after J. Farey.
  • Technology: section and elevation of the Bramah and Marshall locks. Coloured engraving by J. Pass, 1813.
  • Printing: section and details of the Bramah numerator press for banknote production (above), steam-engine (below). Engraving by J. Pass.