Wellcome uses cookies.

Read our policy
Skip to main content
35 results
  • The Physic Garden, Chelsea: a plan view. Engraving by John Haynes, 1751.
  • A Turkish executioner. Coloured aquatint by I.H. Clark, 1818.
  • Joseph Huddart. Line engraving by J. Stow, 1801, after J. Hoppner.
  • Plymouth: bakers working at an oven and a table. Aquatint by John Hill after A. Dibdin.
  • Isaac Ingall, aged 118. Mezzotint by J. Yeatherd after J. Nash.
  • Agriculture: raking rice paddies in China with an ox-drawn plough. Engraving by J. June after A. Heckel.
  • Agriculture: rice paddies in China, soaking the rice in an irrigation ditch. Engraving by J. June after A. Heckel.
  • Agriculture: four labourers weeding rice paddies in China, with their master looking on. Engraving by J. June after A. Heckel.
  • The head of a rhinoceros with overgrown horn thought to be a unicorn. Coloured lithograph by (J.H.?) Clark after Campbell.
  • Agriculture: preparing rice paddies in China with an ox-drawn plough. Engraving by J. June after A. Heckel.
  • A Greek barber shaving a man. Coloured aquatint by I. Clark after A.N.
  • A doctor of physic in his ceremonial congregation robes at Oxford. Coloured engraving by J. Agar, 1813, after T. Uwins.
  • Sir Astley Paston Cooper. Stipple engraving by J. S. Agar, 1825, after A. Wivell.
  • A doctor of physic in his ceremonial congregation robes at Oxford. Coloured engraving by J. Agar, 1813, after T. Uwins.
  • Shwe-Maong, a man in Burma whose head and face are covered with hair. Aquatint by J.H. Clark after W.E. Reid.
  • An episode in Tristram Shandy: Dr. Slop clinging on to his bag, after two gentlemen (one of them Tristram Shandy's father?) had attempted to look inside it. Aquatint by J.H. Clark, 1820, after L. Sterne.
  • An episode in Tristram Shandy: Dr. Slop arriving at the home of Tristram Shandy, where Mr. Shandy is seated with a friend and smoking. Aquatint by J.H. Clark after L. Sterne.
  • An episode in Tristram Shandy: Dr. Slop clinging on to his bag, after two gentlemen (one of them Tristram Shandy's father?) had attempted to look inside it. Aquatint by J.H. Clark, 1820, after L. Sterne.
  • A jet of steam on a sulphur mountain, Iceland. Coloured aquatint by J. Clark, 1811, after Sir George Mackenzie.
  • A cauldron of boiling mud on a sulphur mountain, Iceland. Coloured aquatint by J. Clark, 1811, after Sir George Mackenzie.
  • Potosí, Peru (later Bolivia): Edmond Temple, a lady (Doña Juliana), her Andean servants and two clerics assembled for grace after dinner. Aquatint by J. Clark, 1829, after W. Hornsby.
  • A Spanish couple are dancing the boleras accompanied by a man playing the guitar. Coloured aquatint by J. Clark after Revd. William Bradford.
  • A cauldron of boiling mud on a sulphur mountain, Iceland. Coloured aquatint by J. Clark, 1811, after Sir George Mackenzie.
  • Abelard and Heloise: monument at the monastery of La Trappe, France. Coloured aquatint by J. Clark, 1818, after W.D. Fellowes.
  • Eyjafjallajökull, Iceland. Coloured aquatint by J. Clark, 1811, after H. Holland.
  • The Asylum for Female Orphans, Lambeth: the interior of the dining room. Coloured aquatint by Hill, 1808, after A.C. Pugin and T. Rowlandson.
  • Princess Charlotte Augusta. Stipple engraving by J.S. Agar after C. Jones, 1814.
  • John Stephens. Coloured stipple engraving by G. Hawkins, 1791, after J. Bowring, 1787.
  • John Stephens. Stipple engraving by W. Downey, 1807, after J. Bowring, 1787.
  • A patient sits helplessly in a chair while proponents of different medicines brawl with each other, overturning tables and chairs; beneath, a comic strip and a further six comic episodes. Lithograph by C.J. Grant, 1834.