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56 results
  • An ancient cistern near Lentini, Val di Noto, Sicily. Coloured aquatint after L. Mayer, 1812.
  • The emblematic figure of a man representing secularisation, technical innovation, educational reforms and liberal politics in the United Kingdom. Lithograph, ca. 1830.
  • The death of Thomas Cranmer at the stake, burned for heresy in 1556. Woodcut.
  • The death of Thomas Cranmer at the stake, burnt for heresy in 1556, with Queen Mary looking on. Etching.
  • A man scatters seeds; representing the Biblical parable of the sower; here referring to the "ministry of the word", preaching. Etching by C. Murer after himself, c. 1600-1614.
  • Truth represented as the word of God assailed by persecution, superstition, tradition, betrayal and violence. Etching by C. Murer after himself, c. 1600-1614.
  • The Roman emperor Valens pours money into a coffer; an officer is arrested and led to prison. Etching by C. Murer after himself, c. 1600-1614.
  • A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • Birds attacking an owl resting upon a staff held by a naked woman; representing patience. Etching by C. Murer after himself, c. 1600-1614.
  • Allegorical figures hold up two scrolls, separated by a spider's web: one shows a straight line between "Charitas" and "Iustitia"; the other a crooked line between "Invidia" and "Avaritia". Etching by C. Murer after himself, c. 1600-1614.
  • The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.
  • A bird of prey prepares to swoop on a mouse and a frog in water; illustrating Aesop's fable of the frog and the mouse. Etching by C. Murer after himself, c. 1600-1614.
  • Feast scene representing hospitality; alluding to Abraham and the three angels. Etching by C. Murer after himself, c. 1600-1614.
  • A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • A fox talking to a chicken; representing a fable by Aesop on false friendship. Etching by C. Murer after himself, c. 1600-1614.
  • A wealthy bürger refuses charity to an old couple. Etching by C. Murer after himself, c. 1600-1614.
  • A mouse nibbles through a net in which a lion is caught; illustrating Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.
  • The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.
  • An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614.
  • The prophet Elias fed by a raven; representing providence. Etching by C. Murer after himself, c. 1600-1614.
  • Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.
  • A prophet points to a cross which is leaking water; representing faith, the 'fountain of life'. Etching by C. Murer after himself, c. 1600-1614.
  • Small winged boys are flying around a large petticoat with an inscription under a bishop's mitre, rod and cross and a temporal crown with sword and sceptre: representing the Three Grand Temptations: Spiritual Pride, Temporal Power and Earthly Love. Coloured engraving.
  • Red apples representing healty living with a message about how AIDS patients can learn to live with the disease with the help of the assistance of the Diocesan Caritas Association for the Archdiocese of Cologne eV AIDS-Hilfe Unit. Colour lithograph by Hüsch & Hüsch Aachen and Werbung.
  • Top, a slave auction in Richmond, Virginia; centre, a coach on a street in Baltimore; bottom left, slaves waiting to be sold, Virginia; bottom right, a slave playing the flute. Wood engraving after E.C., 1856.