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  • A man pointing to a woman with her hands clasped. Oil painting after Pieter Huys (?).
  • A man pointing to a woman with her hands clasped. Oil painting after Pieter Huys (?).
  • A man pointing to a woman with her hands clasped. Oil painting after Pieter Huys (?).
  • A man pointing to a woman with her hands clasped. Oil painting after Pieter Huys (?).
  • A man pointing to a woman with her hands clasped. Oil painting after Pieter Huys (?).
  • A man pointing to a woman with her hands clasped. Oil painting after Pieter Huys (?).
  • The head and shoulders of a child, showing signs of mental deficiency, seen in profile lying down. Photograph by J. Keens.
  • World War I: stretcher bearers of the Royal Army Medical Corps (RAMC) lifting a wounded man out of a trench. Oil painting by Gilbert Rogers, ca. 1919.
  • World War I: stretcher bearers of the Royal Army Medical Corps (RAMC) lifting a wounded man out of a trench. Oil painting by Gilbert Rogers, ca. 1919.
  • World War I: stretcher bearers of the Royal Army Medical Corps (RAMC) lifting a wounded man out of a trench. Oil painting by Gilbert Rogers, ca. 1919.
  • World War I: stretcher bearers of the Royal Army Medical Corps (RAMC) lifting a wounded man out of a trench. Oil painting by Gilbert Rogers, ca. 1919.
  • World War I: stretcher bearers of the Royal Army Medical Corps (RAMC) lifting a wounded man out of a trench. Oil painting by Gilbert Rogers, ca. 1919.
  • World War I: stretcher bearers of the Royal Army Medical Corps (RAMC) lifting a wounded man out of a trench. Oil painting by Gilbert Rogers, ca. 1919.
  • A young woman, posing naked in a classical attitude, against a square column in a photographic studio. Photograph, ca.1890/1910.
  • Viola Hamilton, posing in a classical attitude against a square column.
  • World War I: The Red Cross in the trenches.
  • World War I: The Red Cross in the trenches.
  • William Cheselden giving an anatomical demonstration to six spectators in the anatomy-theatre of the Barber-Surgeons' Company, London. Oil painting, ca. 1730/1740.
  • William Cheselden giving an anatomical demonstration to six spectators in the anatomy-theatre of the Barber-Surgeons' Company, London. Oil painting, ca. 1730/1740.
  • "Specimen studies" from the photographic studio of James & Co., Liverpool. Photographic postcard, 19--.
  • "Specimen studies" from the photographic studio of James & Co., Liverpool. Photographic postcard, 19--.
  • William Cheselden giving an anatomical demonstration to six spectators in the anatomy-theatre of the Barber-Surgeons' Company, London. Oil painting, ca. 1730/1740.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • Vases of flowers and a botanic garden with Saint Peter. Oil painting by O'Brien.
  • A soldier in a lunatic asylum. Lithograph by Conrad Felixmüller, 1918.
  • Hong Kong: a Chinese portrait artist. Photograph by John Thomson, 1869.
  • Hong Kong: a Chinese portrait artist. Photograph by John Thomson, 1869.
  • A blind man assisted by another man (Fritz Wrampe). Drawing by Fritz Wrampe, 193-.