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  • Astronomy: a number of ladies and gentlemen using telescopes and celestial globes, in a landscape of ruined classical architecture. Engraving, [c.1720?].
  • Ages of man: second stage, from the ages of sixteen to thirty two, and the classical orders of architecture: corinthian. Engraving by J. Wierix, 1577, after J. Vredeman de Vries.
  • Ages of man: first stage, childhood from birth to the age of sixteen and the classical orders of architecture: composite. Engraving by Johan Wierix, 1577, after Jan Vredeman de Vries.
  • Ages of man: fifth stage, from the age of sixty four to eighty and the classical orders of architecture: tuscan. Engraving by J. Wierix, 1577, after J. Vredeman de Vries.
  • Ages of man: third stage, from the age of thirty two to forty eight and the classical orders of architecture: ionic. Engraving by J. Wierix, 1577, after J. Vredeman de Vries.
  • Ages of man: fourth stage, from the age of forty eight to sixty four years and the classical orders of architecture: doric. Engraving by J. Wierix, 1577, after J. Vredeman de Vries.
  • Three women and five men gathered in a room which opens up to classical architecture, the group on the left is making music while the others are engaged in conversation; representing the continent of Europe. Stipple engraving by Nargeot after C.A. Chasselat.
  • A body lying in a Graeco-Roman building, surrounded with vessels and sculpted figures. Drawing.
  • A man in a Roman helmet (or Minerva?) leads two children up a hill towards two temples; representing the learning of words and spelling. Engraving by W.C. Wrankmore after T. Stothard.
  • One of the seven Acts of Mercy: Free the captives. Line engraving by S. Bourdon after himself.
  • Hospital, Messina, Sicily, Italy: the central square with a numbered key. Tinted etching by J. Deny, 1783.
  • Queen's College and High Street, Oxford: panoramic view. Reproduction of a drawing by V.H. Bailey.
  • Christ Church, Oxford: from the gardens. Coloured etching by W.B. Cooke, 1838, after J.M. Ince.
  • One of the seven Acts of Mercy: Heal the sick. Line engraving by S. Bourdon after himself.
  • Christ Church, Oxford: library. Line engraving by J. Le Keux, 1832, after J. Mackenzie.
  • Temple of Minerva Medica, Rome: panoramic views. Etching by J. Hastings after R. Wilson.
  • One of the seven Acts of Mercy: Heal the sick. Line engraving by S. Bourdon after himself.
  • Christ Church, Oxford: Canterbury gate. Wood engraving.
  • Queen's College, Oxford: panoramic view. Line engraving.
  • Queen's College, Oxford. Line engraving by J. & H.S. Storer, 1821.
  • Magdalen College, Oxford. Line engraving by I. Green.
  • Collegium Romanum, Rome: with the extended piazza a key to the surrounding buildings. Line engraving.
  • Queen's College, Oxford: panoramic view with the High Street. Etching by J. Newman.
  • The British Museum: the entrance facade, during the delivery of the tomb of Mausolus. Wood engraving by C. D. Laing after B. Sly, 1849.
  • Queen's College, Oxford: showing panoramic view of All Souls College and St. Mary's Church. Line engraving.
  • Messina Port, Messina, Sicily, Italy: St. John's Square, with a key. Tinted etching.
  • Wigs classified into five different orders in a parody of the orders of ancient Greek and Roman architecture. Etching by W. Hogarth, 1761.
  • God appears at Babel to disperse the people into different tongues. Process print, 1894, after W. von Kaulbach.
  • The plague of the Philistines at Ashdod. Oil painting by Pieter van Halen, 1661.
  • The plague of the Philistines at Ashdod. Oil painting by Pieter van Halen, 1661.