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  • Apollo flaying Marsyas. Engraving by Melchior Meier, 1581.
  • Apollo flaying Marsyas. Etching by Massard after J.M. Moreau.
  • Apollo flaying Marsyas. Engraving by Melchior Meier, 1581.
  • Apollo flaying Marsyas. Engraving by Melchior Meier, 1581.
  • Apollo riding the chariot of the Sun across the heavens. Engraving by J. Sadeler after M. de Vos.
  • A woman with five breasts on a pedestal, with attributes of nature and the elements, and with Apollo next to her seated on a cloud; men with various experimental instruments below them; representing natural philosophy. Engraving by A. Schoonebeek, 1692.
  • Apollo descending to kill the Python, surrounded by men and women of Delphi; representing the power of music to affect the human mind. Etching by Agostino Carracci after A. Boscoli after B. Buontalenti.
  • Astronomy: the sun god (Apollo) in his chariot. Engraving by C. Lasinio after Raphael, 1516.
  • Apollo: the Apollino or Medici Apollo. Engraving by F. Piranesi, 1781, after L. Corazzari.
  • The Apollo Belvedere seen from the front and in three quarter view; a boy holding a water vessel; one of the sons of Laocoön battling with a serpent. Engraving by A.J. Defehrt after G. Audran.
  • Twelve stages in the sequence from the head of a primitive man to the head of the Apollo Belvedere. Coloured etchings by Christian von Mechel after Lavater, 1797.
  • Apollo with his bow, having slain the Python. Engraving by W. Grainger, ca. 1790 (?).
  • Astronomy: Apollo as the Sun god with his bow and arrow, an angel above, looking heavenward. Engraving by N. Dorigny, 1695, after Raphael, 1516.
  • Apollo. Process print, 193-.
  • Apollo. Process print, 193-.
  • The Apollo Belvedere. Etching by R. Dalton, 174-.
  • Above, a woman personifying health addresses Death; below, Apollo, attended by an agitated crowd of patients, heals a sick man; representing the medical writings of Frederik Dekkers. Etching.
  • Apollo and a woman play music near a fountain, while a winged nymph sings; representing music. Etching by C. Schut after himself.
  • The god Apollo holding his bow and an arrow. Engraving by E. Delaune, ca. 1560.
  • The head of a frog, in the fourth stage of a physiognomic metamorphosis into an ideal head of Apollo. Coloured drawing by J.C. Lavater, 179-.
  • The head of a frog, in the early stages of a physiognomic metamorphosis into an ideal head of Apollo. Coloured drawing by J.C. Lavater, 179-.
  • Marsyas being flayed by Apollo; Juno (Hera) and Jupiter (Zeus); the rape of Oreithyia by Boreas. Etching by P. Aquila after Annibale Carracci.
  • The discovery of herbal medicines, their transport by ship from the East Indies and their presentation to the pagan deities. Engraving after Adolf van der Laan, 1741.
  • The discovery of herbal medicines, their transport by ship from the East Indies and their presentation to the pagan deities. Engraving after Adolf van der Laan, 1741.
  • Allegorical figures, including Apollo: one supports a portrait roundel of Karl Theodor, Elector Palatine, with attributes of the fine arts and of war; a view of a city beyond. Engraving by B. Hübner, 1776, after N. Guibal.
  • Head of the Apollo Belvedere statue in the Vatican. Drawing, c. 1791.
  • Front and reverse of a medal presented to Jenner by naval medical officers in 1801. Engraving, 1801, after a medal made by T. Harper.
  • The horses of Apollo being groomed by two Tritons. Engraving by E. Picart, 1675, after G. and B. de Marcy.
  • Apollo flaying Marsyas. Line engraving with etching by C. Mogalli after F. Petrucci after G.F. Barbieri, il Guercino.
  • Polyphemus and Galatea, with Apollo and Hyacinthus above. Etching by P. Aquila, 167-, after Annibale Carracci.