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  • Pamplona city, Colombia. Coloured etching by C. Empson, 1836.
  • Honda, Colombia: a wooden bridge over the river Gualí. Coloured etching by C. Empson, 1836.
  • Colombia: a cottage built of bamboo. Coloured etching by C. Empson, 1836.
  • Colombia: an out-house for preparation of food. Coloured lithograph by C. Empson, 1836.
  • A Blackfoot Indian medicine man. Coloured photograph, ca. 1913.
  • Three English conversations about tourist destinations: Paris is praised as a centre of fashion, Margate is deprecated as being a place for the English working classes. Coloured etching by J. Phillips, 1835.
  • Saint Matthew. Etching by C. Phillips.
  • The Dunmow Flitch: a procession of people follow the winning couple who are being carried in a chair on the shoulders of four men while others walk in front carrying a piece of bacon on a stick. Engraving by C. Mosley after D. Ogborne, 1751.
  • Canton (Guangzhou), Kwangtung province, China: a Cantonese bride and groom. Photograph by John Thomson, 1869.
  • Canton (Guangzhou), Kwangtung province, China: a Cantonese bride and groom. Photograph by John Thomson, 1869.
  • Paris: a woman cooking chestnuts in a flat pan over a small brazier. Coloured aquatint with etching, 1805.
  • Paris: a woman cooking chestnuts in a flat pan over a small brazier. Coloured aquatint with etching, 1805.
  • A Zulu medicine man dancing in order to detect which one of the women seated around them has bewitched their ruler. Gouache by W.R.S. Stott, 1928.
  • Four groups of figures in conversation. Coloured etching after G.M. Woodward, ca. 1800.
  • A tailor and his wife are assisting two men into suits of clothing, although the clothes are ill-fitting. Etching.
  • Four groups of figures in conversation. Coloured etching after G.M. Woodward, ca. 1800.
  • A gin palace as a "temple of Juniper", with other scenes illustrating puns. Lithograph by C.J. Grant, 1834.
  • A gin palace as a "temple of Juniper", with other scenes illustrating puns. Lithograph by C.J. Grant, 1834.
  • The Lord Mayor of London kneels before King George III and presents a remonstrance on behalf of the City of London: the king has no time to read it as he is preoccupied with making buttons. Engraving, 1770.
  • Stages in the career of an Anglican cleric. Coloured etching by F.G. Byron, 1791, after G.M. Woodward.
  • Stages in the career of an Anglican cleric. Coloured etching by F.G. Byron, 1791, after G.M. Woodward.