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  • A head containing over thirty images symbolising the phrenological faculties, accompanied by a key. Coloured lithograph, c. 1875, after O.S. Fowler (?).
  • A head containing over thirty images symbolising the phrenological faculties, accompanied by a key. Coloured lithograph, c. 1875, after O.S. Fowler (?).
  • Bazile and Bartolo, characters from a story by Beaumarchais, representing the phrenological 'propensity' of secretiveness. Steel engraving by Geoffroy, 1847, after H. Bruyères.
  • William Battier and two officers of the Tenth Hussars having their heads examined by six phrenological practitioners. Coloured etching by L. Marks, 1824.
  • A head divided into thirty seven compartments, each containing an image representing a phrenological faculty. Wood engraving, after O.S. Fowler, c. 1840.
  • A crowd watches as two men gamble; representing the phrenological faculty of acquisitiveness. Steel engraving by L.A. Portier, 1847, after H. Bruyères.
  • Phrenological chart with portraits of historical figures and illustrations of skulls exhibiting racial characteristics. Lithograph by G. E. Madeley, authored by C. Donovan, c. 1850.
  • An Italian brigand attacking a gentleman on a road; exhibiting the phrenological 'propensity' of 'destructiveness'. Steel engraving by S. Wolff, 1847, after H. Bruyères.
  • A head marked with images representing the phrenological faculties, with a key below. Coloured wood engraving, ca. 1845, after H. Bushea and O.S. Fowler (?).
  • A head marked with images representing the phrenological faculties, with a key below. Coloured wood engraving, ca. 1845, after H. Bushea and O.S. Fowler (?).
  • A man sitting erect on a chair; representing pride as a type of the 'sentiment' of self esteem, a phrenological 'faculty'. Steel engraving by C. Devrits, 1847, after H. Bruyères.
  • Three heads showing phrenological traits associated with insanity: a mentally defective person, a mad woman, and the murderer P.F. Lacenaire. Lithograph by C. Picard, 1842, after J.P. Thenot.
  • Phrenological diagrams of the skull and brain, with three portraits: Laurence Sterne, a mathematician, and Shakespeare; exemplifying the faculties of wit, number and imagination respectively. Engraving by H. Sawyer after W. Byam, 1818.
  • Phrenological diagrams of the skull and brain, with three portraits: Laurence Sterne, a mathematician, and Shakespeare; exemplifying the faculties of wit, number and imagination respectively. Engraving by H. Sawyer after W. Byam, 1818.
  • An artist measures a model of the human body from a distance with one eye shut; representing the faculty of perception in extended space in phrenological classification. Steel engraving by J-I-L. Desjardins, 1847, after H. Bruyères.
  • Phrenological snuff-box. The lid bears different views of the skull (anterior and lateral) with the Gall-Spurzheim areas marked out into 27 organs, each numbered. The key to these numbers is on the bottom of the box.
  • Phrenological propensities: adhesiveness, inhabitiveness, constructiveness, combativeness, destructiveness; illustrated by a couple stuck in a bog, a snail in its shell, a spider in its web, a huge brawl, a bull in a china shop. Etching by G. Cruikshank, 1826.
  • Phrenological propensities: adhesiveness, inhabitiveness, constructiveness, combativeness, destructiveness; illustrated by a couple stuck in a bog, a snail in its shell, a spider in its web, a huge brawl, a bull in a china shop. Etching by G. Cruikshank, 1826.
  • Phrenological propensities: philoprogenitiveness, amativeness, self-love, individuality, number; illustrated by a huge and happy family, an apothecary making advances on his maidservant, a dandy admiring his reflection, Seurat the human skeleton, Toby the learned pig. Coloured etching by G. Cruikshank, 1826, after himself.
  • Phrenological propensities: philoprogenitiveness, amativeness, self-love, individuality, number; illustrated by a huge and happy family, an apothecary making advances on his maidservant, a dandy admiring his reflection, Seurat the human skeleton, Toby the learned pig. Coloured etching by G. Cruikshank, 1826, after himself.
  • Seven vignettes illustrating phrenological propensities: tune, covetiveness, secretiveness, size, firmness, time, weight; illustrated by an organ-grinder, a pick-pocket, an adulterer, the huge Daniel Lambert, a pavior with his rammer, a winged clock, a crown on a cushion. Coloured etching by G. Cruikshank, 1826, after himself.
  • Seven vignettes illustrating phrenological propensities: tune, covetiveness, secretiveness, size, firmness, time, weight; illustrated by an organ-grinder, a pick-pocket, an adulterer, the huge Daniel Lambert, a pavior with his rammer, a winged clock, a crown on a cushion. Coloured etching by G. Cruikshank, 1826, after himself.
  • Phrenological propensities: language, ideality, wit, imitation and approbation, comparison; illustrated by foul-mouthed fishwives, a man imagining ghosts, a woman tricked in a churchyard, Mathews mimicking a phrenologist's lecture, a tall thin man passing a short fat woman. Coloured etching by G. Cruikshank, 1826, after himself.
  • Six vignettes illustrating phrenological propensities: hope, conscientiousness, veneration, cautiousness, benevolence, causality; illustrated by a dog anxious for scraps, a maid attempting a good price for her masters old clothes, an obese gourmand eying an enormous side of beef, a prim couple crossing a muddy road, a man being flogged, Liston acting the part of Paul Pry. Coloured etching by G. Cruikshank, 1826, after himself.
  • Six vignettes illustrating phrenological propensities: hope, conscientiousness, veneration, cautiousness, benevolence, causality; illustrated by a dog anxious for scraps, a maid attempting a good price for her masters old clothes, an obese gourmand eying an enormous side of beef, a prim couple crossing a muddy road, a man being flogged, Liston acting the part of Paul Pry. Coloured etching by G. Cruikshank, 1826, after himself.
  • A profile of a man bisected with a curve for measuring the brain, skulls of a Turk (top right), a Georgian woman (bottom left) and a Caribbean (bottom right). Coloured engraving by H. Adlard, 1824.
  • A young woman's wig and hat being swept away by a gust of wind; behind her a young man is laughing, to the left stand an amused couple. Engraving by J. Caldwell, 1771, after J. Collet.
  • A phrenologist working on the head of a boy. Watercolour painting by J. Leech.
  • A phrenologist working on the head of a boy. Watercolour painting by J. Leech.
  • The death mask of William Palmer, the poisoner. Lithograph after M. Krantz, c. 1860.