Skip to main content
384 results
  • The monument to John Playfair (right) and the New Observatory (left) on Calton Hill, Edinburgh. Line engraving by A. Cruse after T. H. Shepherd.
  • A stag carrying a head of ten tines fraying its head in front of a monument in the forest. Etching by J. E. Ridinger.
  • Homs, Syria: a monument identified as the cenotaph of Gaius Caesar, with a caravan resting. Engraving by P.C. Baquoy after L.F. Cassas.
  • An ornate garden monument with women seated either side holding garden plans and design implements. Etching by J. Schynvoet after S. Schynvoet, early 18th century.
  • Bad Kreuth, Bavaria: the healing spring, and monument to King Maximilian I of Bavaria. Lithograph by F. Lacroix, 1828, after C. Heinzmann after J.-B. Métivier.
  • The Hamilton vase: a wine-mixing bowl (krater) painted with a monument in which are a man with a horse, and with other figures. Engraving, 17--.
  • Louis-Philippe, King of France, visiting the monument to Princess Charlotte in St. George's Chapel, Windsor. Lithograph by A.J. B. Bayot after E.H.T. Pingret, 1846.
  • A Ba-yanzi monument of mud, daubed with ochre in fantastic figures and surrounded with skulls on sticks. Coloured wood engraving after E.J. Glave and H. Ward.
  • Tahiti: a funerary monument (toupapow) with a corpse on it, encountered by Cook on his second voyage, 1772-1775. Engraving by W. Woollett after W. Hodges, 1 February 1777.
  • A funerary monument (toupapow) with a corpse on it, encountered by Captain Cook in Tahiti on his second voyage, 1772-1775. Engraving by W. Woollett, 1777, after W. Hodges.
  • An allegorical monument to Sir Isaac Newton and his theories on prisms. Line engraving by L. Desplaces after D. M. Fratta after G.B. Pittoni, D. Valeriani and G. Valeriani.
  • An allegorical monument to Sir Isaac Newton and his theories on prisms. Line engraving by L. Desplaces after D. M. Fratta after G.B. Pittoni, D. Valeriani and G. Valeriani.
  • A monument within which is suspended the flayed skin of a man, with a canal system as an allegory of the circulation of blood, and other allegories of anatomy. Engraving, 1651.
  • A monument within which is suspended the flayed skin of a man, with a canal system as an allegory of the circulation of blood, and other allegories of anatomy. Engraving, 1651.
  • Two men with horses in front of a classical monument decorated with the head of a horse on the pediment; horse-riders in the background. Engraving after J. de Solleysel, 17--.
  • The monument of King Henry II and Richard I with sculptures representing other members of the families at Font Evraud in Anjou. Engraving with etching by J. Goldar after H. Gravelot, 1813.
  • C. Martinez: Skeletons amidst monumental
  • The Hamilton vase: a wine-mixing bowl (krater) painted with a monument in which are a man with a horse, and with other figures; outline drawings from side with measurements. Engraving, 17--.
  • A monument supported by crossed porte-crayons and surmounted by the head of an angel: frontispiece to the depictions of the passions. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • The Hamilton vase: a wine-mixing bowl (krater) painted with a monument in which are a man with a horse, and with other figures; outline drawing from front with measurements. Engraving, 17--.
  • A baroque monument decorated with Apollo holding a lyre and Aesculapius holding a book and a cockerel; a portrait of Johann Freitag the Younger in a roundel on the pediment. Engraving, 1644.
  • Monument with a portrait of Samuel Butler; a youth sculpts a relief as a satyr holds Butler's book Hudibras towards him while Britannia looks at her reflection in a mirror. Engraving by William Hogarth.
  • Francis Goodchild, taking tea with his new wife, pays a drummer representing a group of serenading musicians, as was the custom, from his City house close to the Monument. Engraving by Thomas Cook after William Hogarth.
  • An allegorical figure holding torches seated on a baroque monument; the symbols of the four evangelists above her, and Saint Thomas Aquinas and Galen at her side. Engraving by Jacob Bruynel after A. van Diepenbeeck, 1666.
  • Monumental entrance of the Faculte' de Medecine de Paris.
  • Account of the reparation of Dr. Pitcairne's monument in the Grayfriars Churchyard at Edinburgh, with a list of medical practitioners residing in Edinburgh, who agreed to pay each an equal share of the expence of that reparation. December 25 1800.
  • Account of the reparation of Dr. Pitcairne's monument in the Grayfriars Churchyard at Edinburgh, with a list of medical practitioners residing in Edinburgh, who agreed to pay each an equal share of the expence of that reparation. December 25 1800.
  • Account of the reparation of Dr. Pitcairne's monument in the Grayfriars Churchyard at Edinburgh, with a list of medical practitioners residing in Edinburgh, who agreed to pay each an equal share of the expence of that reparation. December 25 1800.
  • Account of the reparation of Dr. Pitcairne's monument in the Grayfriars Churchyard at Edinburgh, with a list of medical practitioners residing in Edinburgh, who agreed to pay each an equal share of the expence of that reparation. December 25 1800.
  • Account of the reparation of Dr. Pitcairne's monument in the Grayfriars Churchyard at Edinburgh, with a list of medical practitioners residing in Edinburgh, who agreed to pay each an equal share of the expence of that reparation. December 25 1800.