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  • A man writing; representing the faculty of memory. Engraving, 16--.
  • A woman holds the sun in her hand; representing the faculty of understanding. Engraving, 16--.
  • An artist painting a woman with a hand mirror and the devil; representing the faculty of the imagination. Engraving, 16--.
  • A man writing; representing the faculty of memory. Engraving, 16--.
  • A woman with a globe containing a face; representing the faculty of the will. Engraving, 16--.
  • Eight heads showing human passions. Etching by Taylor, 1788, after C. Le Brun.
  • A soldier takes his hat off to a lady at her table but finds that she preferred "les Lanciers". Lithograph by Villain, 1826, after H. Bellangé.
  • One of two scenes from the Naya-nayika set of lovers' quarrels. Chromolithograph.
  • Esther swoons before Ahasuerus. Engraving by J. Audran after A. Coypel.
  • Domestic violence: a husband holding his wife by the hair about to strike her with a shoe, while she tries to defend herself with a broom. Watercolour drawing.
  • Six vignettes on a design for a fan illustrating how to lead a moral and happy life. Stipple engraving, 1797.
  • A woman plays music to a stag; God condemns Adam and Eve to exile; representing the sense of hearing. Engraving by N. de Bruyn after M. de Vos.
  • Statues of "raving" and "melancholy" madness, each reclining on one half of a broken segmental pediment, formerly crowning the gates at Bethlem [Bedlam] Hospital. Engraving by W. Sharp, 1783, after T. Stothard after C. Cibber, 1680.
  • Esther faints before King Ahasuerus. Engraving, by R. Strange, 1767, after R. Strange, 1762, after G.F. Barbieri, il Guercino.
  • Esther faints before the fierceness of Ahasuerus. Engraving by J. Frey after D. Zampieri, il Domenichino, ca. 1628.
  • A dislocated femur bone: dissection of the thigh, showing the bone and surrounding muscles. Coloured stipple engraving by Debray after Bion, ca. 1870?.
  • Ten faces expressing the human passions. Engraving by Barlow after C. Le Brun.
  • Artwork exhibited at an AIDS painting workshop in Elmshorn, Germany. Photocopy, 1994.
  • Hundred Years' War: surgeons and craftsmen of surgical instruments being forced to go with the English army as part of the 1415 invasion of France. Gouache painting by A. Forestier, 1913.
  • Hundred Years' War: surgeons and craftsmen of surgical instruments being forced to go with the English army as part of the 1415 invasion of France. Gouache painting by A. Forestier, 1913.
  • Hundred Years' War: surgeons and craftsmen of surgical instruments being forced to go with the English army as part of the 1415 invasion of France. Gouache painting by A. Forestier, 1913.
  • Red and purple darts. Watercolour by M. Bishop, 1970.
  • A gigantic mouth chewing up a human figure. Watercolour by M. Bishop, 1966.
  • A gigantic mouth chewing up a human figure. Watercolour by M. Bishop, 1966.
  • Daedalus attaching wings to the shoulders of his son Icarus. Stipple engraving by G.S. & E.G. Facius after C. Le Brun.
  • A folding lattice. Watercolour by M. Bishop, 1972.
  • A red potato-head, representing the artist's father, with purple darts above. Watercolour by M. Bishop, 1967.
  • A red potato-head, representing the artist's father. Watercolour by M. Bishop, 1967.
  • A red potato-head, representing the artist's father. Watercolour by M. Bishop, 1967.
  • A red potato-head, representing the artist's father, with purple darts above. Watercolour by M. Bishop, 1967.