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  • A surgical operation. Oil painting by Reginald Brill, 1934-1935.
  • A surgical operation. Oil painting by Reginald Brill, 1934-1935.
  • A surgical operation. Oil painting by Reginald Brill, 1934-1935.
  • Ming tombs, Peking: the Lingendian (Hall of Prominent Favour) at Changling. Photograph, 1981, from a negative by John Thomson, 1871.
  • Biyunsi (Temple of Azure Clouds), Beijing: the Jingangta (Diamond Sutra Pagoda), viewed through a a memorial arch. Photograph, 1981, from a negative by John Thomson, 1871.
  • Temple of Confucius (Kong Miao), Peking: Hall of Great Accomplishment (Dachengdian), interior with altar and tablet to Confucius. Photograph, 1981, from a negative by John Thomson, 1871.
  • Temple of Confucius (Kong Miao), Peking: Hall of Great Accomplishment (Dachengdian), interior with altar and tablet to Confucius. Photograph, 1981, from a negative by John Thomson, 1871.
  • Two naked Sicilian boys, in a rocky setting outdoors. Photograph by W. von Gloeden, 1900.
  • Jean-Jacques Rousseau. Line engraving by M. Salvador Carmona, 1763, after R. Gardelle, 1754.
  • Ysbrandt van Diemerbroeck. Line engraving after R. de Hooghe.
  • The emblematic figure of a man representing secularisation, technical innovation, educational reforms and liberal politics in the United Kingdom. Lithograph, ca. 1830.
  • George Rose, in profile, in a roundel. Stipple engraving by T. Blood after A. Wivell, 1818.
  • Hall of Classics (Guozijian), Peking: a triple archway of sculpted marble leading to the hall. Photograph by John Thomson, 1871.
  • Hall of Classics (Guozijian), Peking: a triple archway of sculpted marble leading to the hall. Photograph by John Thomson, 1871.
  • William Hunter. Line engraving, 1783, after M. Chamberlin after J. Zoffany.
  • Playground of the Home and Colonial Infant School Society, London. Wood engraving, c. 1840.
  • Christmas benefit at University College Hospital, London. Wood engraving after G. Durand, 1874.
  • Christmas benefit at University College Hospital, London. Wood engraving after G. Durand, 1874.
  • Sir Matthew Wood. Mezzotint by W. Dickinson, 1817, after Lady Bell.
  • James Bradley. Mezzotint by J. Faber after Thomas Hudson.
  • A sickly young woman sits covered up on a balcony; death (a ghostly skeleton clutching a scythe and an hourglass) is standing next to her; representing tuberculosis. Watercolour by R. Cooper, ca. 1912.
  • A sickly young woman sits covered up on a balcony; death (a ghostly skeleton clutching a scythe and an hourglass) is standing next to her; representing tuberculosis. Watercolour by R. Cooper, ca. 1912.
  • A sickly young woman sits covered up on a balcony; death (a ghostly skeleton clutching a scythe and an hourglass) is standing next to her; representing tuberculosis. Watercolour by R. Cooper, ca. 1912.
  • Hand of M.H. G[lyn?]: radiograph. Photograph by Sir G.P. Glyn, ca. 1896.
  • New College, Belsize, London. Wood engraving by C.D. Laing after B. Sly, 1851.
  • Two trees being cultivated by doctors; symbolising the differences claimed by James Morison between the 'organic' and his 'hygeist' approached to health. Lithograph, c. 1835.
  • Two trees being cultivated by doctors; symbolising the differences claimed by James Morison between the 'organic' and his 'hygeist' approached to health. Lithograph, c. 1835.
  • Two trees being cultivated by doctors; symbolising the differences claimed by James Morison between the 'organic' and his 'hygeist' approached to health. Lithograph, c. 1835.
  • Two trees being cultivated by doctors; symbolising the differences claimed by James Morison between the 'organic' and his 'hygeist' approached to health. Lithograph, c. 1835.
  • Brighton College, Brighton. Wood engraving, 1849.