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  • The ear and the temple after Duverney, Valsalva and Ruysch. Engraving by Prevost, 1762.
  • Cross-section of skull in profile view, showing the intercranial nerves and vessels. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.
  • Skull and jaw bones, with teeth: ten figures. Line engraving, 1771.
  • A skeleton, contemplating a skull: lateral view. Photolithograph, 1940, after a woodcut, 1543.
  • Skull, pelvic bones and bones of the arm. Drawing, ca. 1800.
  • Different degrees of ossification of the parietal bone of the skull. Engraving by Benard, late 18th century.
  • Skulls: above, diagrams demonstrating the proportions of the human skull; below, four views of the skull. Line engraving after G. de Lairesse.
  • The base of the skull and foetal skeletons of different ages. Engraving by Benard, late 18th century.
  • Skulls and skull fragments, showing different shapes of skulls and variations in sutures, after Eustachius. Etching by I. Basire, 1743, after an engraving, c. 1552.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Skulls infected with venereal disease: two figures. Line engraving by C. Grignion, ca. 1788.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Teeth, skull and patella (knee cap), the latter after Clopton Havers. Engraving by Benard, late 18th century.
  • An anatomist meditates on the corpse of a beautiful young woman, laid out on a table next to his desk. Lithograph by F. Hanfstaengl after G. C. von Max, 1869.
  • An anatomist meditates on the corpse of a beautiful young woman, laid out on a table next to his desk. Lithograph by F. Hanfstaengl after G. C. von Max, 1869.
  • Anatomy of the heart, cranium, and brain : adapted to the purposes of the medical and surgical practitioner; to which is added, in notes, observations on the laws of life and sensation / by Alexander Ramsay.
  • Anatomy of the heart, cranium, and brain : adapted to the purposes of the medical and surgical practitioner; to which is added, in notes, observations on the laws of life and sensation / by Alexander Ramsay.
  • Anatomy of the heart, cranium, and brain : adapted to the purposes of the medical and surgical practitioner; to which is added, in notes, observations on the laws of life and sensation / by Alexander Ramsay.
  • Anatomy of the heart, cranium, and brain : adapted to the purposes of the medical and surgical practitioner; to which is added, in notes, observations on the laws of life and sensation / by Alexander Ramsay.
  • Anatomy of the heart, cranium, and brain : adapted to the purposes of the medical and surgical practitioner; to which is added, in notes, observations on the laws of life and sensation / by Alexander Ramsay.
  • Anatomy of the heart, cranium, and brain : adapted to the purposes of the medical and surgical practitioner; to which is added, in notes, observations on the laws of life and sensation / by Alexander Ramsay.
  • Plate XXIV. Trepanning or trephining of the cranium.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • A nightwatchman disturbs a body-snatcher who has dropped the stolen corpse he had been carrying in a hamper, while the anatomist runs away. Etching with engraving by W. Austin, 1773.
  • A nightwatchman disturbs a body-snatcher who has dropped the stolen corpse he had been carrying in a hamper, while the anatomist runs away. Etching with engraving by W. Austin, 1773.
  • A nightwatchman disturbs a body-snatcher who has dropped the stolen corpse he had been carrying in a hamper, while the anatomist runs away. Etching with engraving by W. Austin, 1773.
  • A nightwatchman disturbs a body-snatcher who has dropped the stolen corpse he had been carrying in a hamper, while the anatomist runs away. Etching with engraving by W. Austin, 1773.