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  • An episode in The merry wives of Windsor: Ford raises a stick to beat Falstaff disguised as Mrs Ford's maid's aunt. Etching by W. Krauskopf after W. Lindenschmit the younger.
  • William Gladstone, dressed as Juliet, is sobbing at the departure of Joseph Chamberlain, dressed as Romeo, who is about to leave through the window. Colour lithograph by Tom Merry, 27 March 1886.
  • The gouty King George IV relaxing before nine portraits chronicling his past extravagant styles of dress; representing the King's attempt to withdraw from public ridicule. Coloured etching by W. Heath, 1824.
  • The gouty King George IV relaxing before nine portraits chronicling his past extravagant styles of dress; representing the King's attempt to withdraw from public ridicule. Coloured etching by W. Heath, 1824.
  • George Combe lecturing on phrenology, portrayed with protuberances on his head. Coloured lithograph 1826.
  • George Combe lecturing on phrenology, portrayed with protuberances on his head. Coloured lithograph 1826.
  • A fearful woman (Britannia) is encouraged by three British politicians to resist the invading fleet of France. Coloured etching by J. Gillray after J. Sneyd, 1803.
  • A fearful woman (Britannia) is encouraged by three British politicians to resist the invading fleet of France. Coloured etching by J. Gillray after J. Sneyd, 1803.
  • Phrenological chart with portraits of historical figures and illustrations of skulls exhibiting racial characteristics. Lithograph by G. E. Madeley, authored by C. Donovan, c. 1850.
  • Poets and dramatists: twenty portraits. Engraving by J.W. Cook, 1825.