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  • The story of the Bhagvadgita. Seated on the throne and served by an attendant waving a whisk made of peacock feathers, the blind king Dhrtarastra listens as the visionary narrator Sanjaya relates the events of the battle between the Kaurava and the Pandava clans
  • MS Panjabi 255, folio 353 verso
  • The Four Gospels, 1495, Gospel of St John 4: 43-46, showing marginal ornament in the form of a sphinx
  • J.J. Scheuchzer, Physica sacra, tab XXVIII
  • The Four Gospels, 1495. St Luke's Gospel 5: 7-14 in bologir script with decorated capitals
  • The Four Gospels, 1495, dark brown leather over boards with silver ornaments and a cross studded with five comelian stones
  • The mahatmya of the second adhyaya. The bottom third of the painting depicts the frame story of Devasusara of Purana. The top two-thirds illustrate the embedded story of Gadia the goatherd: one of his goats chases away a lion, the ascetic Bala explains the meaning of the events, and Gadia and his animals ascend to Visnu's celestial dwelling Vaikuntha in their divine bodies
  • The narrative setting of the mahatmyas. Laksmi asks Visnu about the greatness of the Bhagvadgita as he reclines on the serpent Sesanaga in the cosmic ocean. The four headed god Brahma is seated on the lotus that emerges from Visnu's navel. The scalloped arch and rolled-up curtain at the yop of the picture evoke the symbols of temple icons
  • Krsna enchants the natural and human worlds with his flute. Standing in the tribhangi or 'three bends' posture, Krsna plays the flute as enchanted gopis, cattle, and birds look on. A clump of trees act as a sheltering umbrella, the symbol of gods and kings in Indic iconography.
  • Armenian MS 4 (74294), folio 114 verso
  • J.J. Scheuchzer, Physica sacra, tab. DXXIX
  • MS Panjabi 255, folio 103 verso
  • The mahatmya of the tenth adhyaya. The servants of Shiva find a dead Brahman in the city of Kasi on the auspicious day of Ekadasi. Shiva explains that by reciting the tenth aghyaya of the Bhagvadgita, the Brahman had once saved a swan and an apsara (fairy) who had been turned into a lotus. Shiva's attendants take the Brahman to Shiva's heaven
  • The mahatmya of the 13th adhyaya. An adulterous woman from the city of Harinam goes to the forest with her husband and is attacked by a tiger who only eats those who commit immoral acts. Reborn as a low-caste Chandala, the woman hears the 13th adhyaya of the Bhagvadgita from the holy man and asks him to recite it to the tiger as well. Both the woman and the tiger receive divine bodies and are taken to Visnu's heaven
  • MS Panjabi 255, folio 186 verso
  • The Four Gospels, 1495, the Evangelist dictating his Gospel to his pupil Prochoros
  • The Four Gospels, 1495, The headpiece (Khoran) of St Mark's Gospel
  • The Four Gospels, 1495, Portrait of St Mark
  • MS Panjabi 255, folio 258 verso
  • J.J. Scheuchzer, Physica sacra, tab CXCV
  • Armenian Manuscript, fragments. Text is from the Gospel of St Luke 18: 31-39 12th century
  • The mahatmya of the fifth adhyaya. The bottom half of the painting depicts Pingala's life as a Brahman, his argument with his wife and his death by poisoning. The upper half illustrates the narrative of their subsequent births as birds: they fight in an ascetic's skull in a cremation ground and are given new divine bodies. In the new form they are taken to the court of Dharmaraja, the judge of the actions of mortals
  • Armenian MS 3, cover
  • The Four Gospels, 1495, The headpiece (Khoran) of St John's Gospel
  • The Four Gospels, 1495, Gospel of St John 4; 24-32, showing marginal ornament in the form of a bird
  • Armenian Manuscript, fragments. Thick vellum flyleaf (pahpanak). The text is from the Gospel of St Mathew 21: 11-27. 10th century
  • The sixth avatara if Visnu. The warrior Brahman Parasurama slays the evil king Anjuna with an axe.
  • Armenian Manuscript 3
  • MS Panjabi 255, folio 379 recto
  • Herbolario volgare'nel qual e le virtu de