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  • The pool of Bethesda. Oil painting by L. Chéron, ca. 1683.
  • The pool of Bethesda. Oil painting by L. Chéron, ca. 1683.
  • The pool of Bethesda. Oil painting by L. Chéron, ca. 1683.
  • The pool of Bethesda. Oil painting by L. Chéron, ca. 1683.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the neck, tongue and jaws. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the pharynx, viewed from the back and side, and separated. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J.F. Gautier d'Agoty, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
  • Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
  • Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
  • Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
  • Dryopteris filix-mas (Male fern)
  • A balloon race from London to Hampshire, 1880. Coloured wood engraving, 1880.
  • A farrier at Saint-Denis is talking to a countryman as he shoes his horse; people are about to set off for Paris in a horse-drawn carriage. Coloured etching by R.B Peake and aquatint by R. Havell.
  • A red apple forming the tip of a penis with a quote from Albert Camus: 'La felicidad es generosa ... no vive de destrucción' [Happiness is ... generous destruction of lives] and the letters 'SIDA' in each corner; advertising the danger of AIDS. Colour lithograph by Santiago Pol, 1994.
  • King Louis XVI of France bids his farewell to the people of Paris while ascending the stairs to the scaffold where he was guillotined on the 21 January 1793. Aquatint with engraving by C. Silanio after C. Benazech, 1793.
  • Crimean War: Sisters of Charity nursing wounded soldiers from the Battle of Inkerman. Coloured lithograph by Le Par (?), 1855.
  • Crimean War: Sisters of Charity nursing wounded soldiers from the Battle of Inkerman. Coloured lithograph by Le Par (?), 1855.