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  • The tender mercies of Bonaparte in Egypt! : Britons beware / Robert Wilson, K.M.T., Lieutenant Colonel.
  • Napoléon Bonaparte saluting wounded enemy soldiers. Aquatint by Gordien, 1828, after J.B. Debret.
  • Napoleon standing next to Pope Pius VII, seated, his right foot resting on a cushion. Engraving by J.H. Robinson, 1848, after D. Wilkie, 1836.
  • The death of Napoleon Bonaparte at St Helena in 1821. Intaglio print by J.P.M. Jazet, 1830, after Baron Steuben.
  • Napoléon et Larrey : récits inédits de la révolution et de l'empire, d'après les mémoires, les correspondances officielles et privées, les notes et les agendas de campagnes de Dominique Larrey ... 1768-1842 / Ouvrage orné de 16 gravures.
  • Napoléon I and Marie Louise with their new born son. Engraving by A. Godefroy after Adolphe Roehn.
  • Plain answers to plain questions, in a dialogue between John Bull and Bonaparte : met half-seas over between Dover and Calais.
  • Napoleon visiting the wounded after the Battle of Eylau. Coloured etching.
  • The death of Napoleon Bonaparte at St Helena in 1821. Lithograph after Baron Steuben.
  • Battle of Ratisbon: Napoleon, shot in the ankle, mounts his horse to join battle before the dressing of the wound is finished. Coloured engraving after C. Gautherot, 1828.
  • The seizure of Sir George Rumbold by French troops in his bedroom in Hamburg on the night of the 25 October 1804. Line engraving with etching by W.H. Worthington after H. Corbould, 1804.
  • William Pitt the younger as an obstetrician and medicine vendor, accompanied by Henry Dundas as his assistant, disputing with Napoleon Bonaparte their respective medicinal remedies for the delivery of Europe. Etching after C. Ansell (?), 1800.
  • William Pitt the younger as an obstetrician and medicine vendor, accompanied by Henry Dundas as his assistant, disputing with Napoleon Bonaparte their respective medicinal remedies for the delivery of Europe. Etching after C. Ansell (?), 1800.
  • Napoléon I presenting his new born son Napoléon II to his soldiers in 1811. Engraving by Mme. Lessueur after A. Testard.
  • In a room filled with skulls of the famous, the phrenologist Gall examines William Pitt the Younger and Gustavus IV, the King of Sweden, both currently plagued by Napoleon. Coloured etching, 1806.
  • In a room filled with skulls of the famous, the phrenologist Gall examines William Pitt the Younger and Gustavus IV, the King of Sweden, both currently plagued by Napoleon. Coloured etching, 1806.
  • Britannia as a patient who is in danger of death owing to disagreement between her three doctors over their competing remedies; representing the weakness of Britain during the replacement of Addington by Pitt as Prime Minister and the exclusion of Fox. Coloured etching by J. Gillray, 1804.
  • Britannia as a patient who is in danger of death owing to disagreement between her three doctors over their competing remedies; representing the weakness of Britain during the replacement of Addington by Pitt as Prime Minister and the exclusion of Fox. Coloured etching by J. Gillray, 1804.
  • E. Chadwick, Dwellings characterised by cheapness..., 1867
  • A fearful woman (Britannia) is encouraged by three British politicians to resist the invading fleet of France. Coloured etching by J. Gillray after J. Sneyd, 1803.
  • A fearful woman (Britannia) is encouraged by three British politicians to resist the invading fleet of France. Coloured etching by J. Gillray after J. Sneyd, 1803.
  • E. Chadwick, "Dwellings characterised by cheapness...", 1867
  • Henry Addington as a medical practitioner bleeding the exhausted John Bull, assisted by other politicians; representing Britain's strength being sapped by nepotism in politics and by war with Napoleon. Coloured etching by J. Gillray, 1803.
  • Phrenological chart with portraits of historical figures and illustrations of skulls exhibiting racial characteristics. Lithograph by G. E. Madeley, authored by C. Donovan, c. 1850.
  • Leon Michel Gambetta on his deathbed strewn with roses. Etching with drypoint by Charles Paul Renouard, 1883.
  • Larevellière-Lépeaux sits in a disordered quack doctor's room, in the presence of seven wounded French generals, one of them vomiting; representing French defeats in 1799 and Bonaparte's failed imperial ambitions in the east. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.