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  • Napoleon visiting the wounded after the Battle of Eylau. Coloured etching.
  • The seizure of Sir George Rumbold by French troops in his bedroom in Hamburg on the night of the 25 October 1804. Line engraving with etching by W.H. Worthington after H. Corbould, 1804.
  • Napoléon I and Marie Louise with their new born son. Engraving by A. Godefroy after Adolphe Roehn.
  • Napoléon I presenting his new born son Napoléon II to his soldiers in 1811. Engraving by Mme. Lessueur after A. Testard.
  • William Pitt the younger as an obstetrician and medicine vendor, accompanied by Henry Dundas as his assistant, disputing with Napoleon Bonaparte their respective medicinal remedies for the delivery of Europe. Etching after C. Ansell (?), 1800.
  • William Pitt the younger as an obstetrician and medicine vendor, accompanied by Henry Dundas as his assistant, disputing with Napoleon Bonaparte their respective medicinal remedies for the delivery of Europe. Etching after C. Ansell (?), 1800.
  • Britannia as a patient who is in danger of death owing to disagreement between her three doctors over their competing remedies; representing the weakness of Britain during the replacement of Addington by Pitt as Prime Minister and the exclusion of Fox. Coloured etching by J. Gillray, 1804.
  • Britannia as a patient who is in danger of death owing to disagreement between her three doctors over their competing remedies; representing the weakness of Britain during the replacement of Addington by Pitt as Prime Minister and the exclusion of Fox. Coloured etching by J. Gillray, 1804.
  • In a room filled with skulls of the famous, the phrenologist Gall examines William Pitt the Younger and Gustavus IV, the King of Sweden, both currently plagued by Napoleon. Coloured etching, 1806.
  • In a room filled with skulls of the famous, the phrenologist Gall examines William Pitt the Younger and Gustavus IV, the King of Sweden, both currently plagued by Napoleon. Coloured etching, 1806.
  • A fearful woman (Britannia) is encouraged by three British politicians to resist the invading fleet of France. Coloured etching by J. Gillray after J. Sneyd, 1803.
  • A fearful woman (Britannia) is encouraged by three British politicians to resist the invading fleet of France. Coloured etching by J. Gillray after J. Sneyd, 1803.
  • Henry Addington as a medical practitioner bleeding the exhausted John Bull, assisted by other politicians; representing Britain's strength being sapped by nepotism in politics and by war with Napoleon. Coloured etching by J. Gillray, 1803.
  • Phrenological chart with portraits of historical figures and illustrations of skulls exhibiting racial characteristics. Lithograph by G. E. Madeley, authored by C. Donovan, c. 1850.
  • Larevellière-Lépeaux sits in a disordered quack doctor's room, in the presence of seven wounded French generals, one of them vomiting; representing French defeats in 1799 and Bonaparte's failed imperial ambitions in the east. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • The Emperor Napoleon III lying in state sourrounded by mourners. Wood engraving.