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  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by G.T. Stubbs after G. Stubbs, 1800.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by G.T. Stubbs after G. Stubbs, 1800.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by G.T. Stubbs after G. Stubbs, 1800.
  • An écorché face showing the muscles involved in the expression of terror. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the muscles involved in the expression of terror. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the muscles involved in the expression of terror. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Orthopaedic apparatus for the whole human body: posterior view. Engraving by G. Georgi, 1656.
  • Orthopaedic apparatus for the whole human body: anterior view. Engraving by G. Georgi, 1656.
  • Jean-Zuléma Amussat. Oil painting by Jean-Guillaume Elzidor Naigeon.
  • Silver castor oil spoon, early 19th century.
  • Surgical instruments. Engraving by G. Georgi, 1656.
  • A mail-coach, overturned by a locomotive (Stephenson's Rocket). Line engraving, c. 1853 (?).
  • Line drawing of Ferran injecting a rat.
  • Stephen Hales; with a vignette of his experiments on plant physiology. Line engraving by J. Hopwood, 1807, after T. Hudson.
  • Stephen Hales; with a vignette of his experiments on plant physiology. Line engraving by J. Hopwood, 1807, after T. Hudson.
  • Edward Hart. Photograph by DeLux.
  • James Turner, a beggar and a painter's model, aged 93. Etching by R. Graves, after N. Hone.
  • The philosopher and poet Lucretius pointing up at the revolving globe of Chance in the sky. Engraving by M. Burghers, ca. 1682, after T. Creech.
  • Saint Barnabas: he cures a sick man by holding the gospel of Saint Matthew over the man's head. Etching by P. Brebiette after P. Caliari, il Veronese.
  • Saint Bruno praying in the wilderness. Engraving after C. Mellan.
  • Saint Francis of Assisi receiving the stigmata of Christ from the seraph. Engraving after C. Procaccini.